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A propaganda film produced by the French Communist Party (PCF) for the campaign for the May 1936 elections – which brought the Popular Front to power – “La vie est à nous”, by Jean Renoir, was shot by a team of militant filmmakers and technicians. Read More »
Taw Jackson (John Wayne) returns from prison having survived being shot, to the ranch and gold that Frank Pierce stole from him. Jackson makes a deal with Lomax (Kirk Douglas), the man who shot him 5 years ago to join forces against Pierce and steal a large gold shipment. The shipments are transported in the War Wagon, an armored stage coach that is heavily guarded. The two of them become the key players in the caper to separate Pierce from Jackson’s gold. Read More »
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”The B-52 is a very large aircraft,” a crew member says in the straightforward new documentary ”B-52,” which begins a two-week run today at Film Forum. Several clean-cut Air Force personnel give the aircraft’s stats, which include a weight of 184,000 pounds when empty and a wingspan of 185 feet. The plane has been around for what feels like forever, and in this respect it seems like the ordnance version of a great white shark, an enormous and apparently efficient killing machine that hasn’t evolved much since its creation ”over a weekend in a hotel in 1948.” (It was first presented to the military in 1952.) Read More »
Synopsis
Gordeev Thomas is the son of a wealthy bourgeois tsarist. He enjoys all the privileges of his condition but can not bear the sight of social misery. He falls in love with a married woman, broke with her when he discovers his frivolity and indulges in debauchery. On the death of his father, he became head of a major grain trading. But it does not handle his affairs. He is only interested in human relations. His background, which scorns the Mavericks, rejects. He chose to break with his peers to live with the poor.
Awards :
Award for best director at the Locarno Festival, 1960 Read More »
Freely excerpted from Wikipedia:
In 1503, the French and the Spanish fight over the region surrounding the Sicilian castle of Morreale. Giovanna, the beautiful castellan, yearns to free herself from the foreign yoke and for this she wants to marry a brave knight. Graiano d’Asti deceives her by letting Ettore Fieramosca fight in his place and then bragging with Giovanna about the feat, thus managing to convince her to marry him. Read More »
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In 1986 and 1987, Jürgen Böttcher and his crew travelled to Georgia to film this fascinating country and its people. Böttcher, the painter, was particularly interested in the art of Georgian painter Niko Pirosmanishvili whose oeuvre he had seen in an exhibition in Berlin 20 years ago. Although it was clear for him that times had changed, he reckoned that some of the atmosphere depicted in Pirosmanishvilis paintings should still be there. Thomas Plenert, his director of photography, had been in Georgia a couple of years before, and had been overwhelmed. Another influence was Georgias most well-known contemporary filmmaker, Otar Iosseliani. Read More »
Based on a supposedly true story, a woman is tormented and sexually molested by an invisible demon.
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This big budget entry from the early ’80s horror boom is one of the most underrated of that genre. The Entity succeeds despite potentially exploitative subject matter because it tells its story in a serious, respectful style. Frank de Felitta’s script devotes as much time to building three-dimensional characters and detailing the inner workings of psychology and parapsychology as it does creating shocks. Read More »