Sven lives with his mother Edeltraut, who is suffering from dementia. He shares his entire life, the apartment, even the bed with her. During the day he works at a bank. While he is at work, Daniel comes to the apartment to look after Edeltraut. He takes her to hairdresser’s, goes for walks, shopping, and tidies up the apartment. But one day while Daniel is cleaning the windows, Edeltraut locks him out on the balcony and takes off. The two men go out looking for her. But what they find is not just Edeltraut, but also a tender fondness for one another, one which turns both of their lives upside down. Production note: “HEAVY GIRLS” was completed in just three months, from the original idea to the finished film. The film was shot based on a treatment, which defined the order and content of the scenes, the dialogues were improvised. In order to attain the greatest amount of creative freedom and authenticity, we intentionally shot the film without a crew and film team and with a simple Mini DV camera. Continue reading
Little Shop of Horrors, Russian Style
By Oleg Liakhovich The Moscow News
On the heels of the XXVI Moscow International Film Festival came an event even more pompous and widely publicized – the premiere of a movie meant to spark a revival of Russia’s popular cinema while giving Hollywood a battle royale on its own terms
Night Watch (Nochnoy Dozor in original Russian) depicts the on-going struggle between the magical forces of good and evil in present-day Moscow. The movie was eagerly awaited by fans and became an object of an intense advertising campaign in all media. Its US $3mln budget – an incredible sum for a local movie – and plentiful special effects, also a novelty for Russian cinema with its established traditions of inexpensive quality dramas and solid adaptations of literary classics, were to make Night Watch Russia’s equivalent of an American summer blockbuster. The producers actually went as far as officially calling it “the first Russian blockbuster” long before it had the chance to appear on screen. Even Russia’s own Oscar winner and self-styled national sage director Nikita Mikhalkov, while admitting that the film “wasn’t his thing”, said that it was “cool” and called it Russia’s “answer to Quentin Tarantino”. Serious praise indeed – after all, only a dirty mind would suspect Mikhalkov of still being sore at old Quentin for “stealing” his Palme d’Or in Cannes back in 1994.
Lightsaber, Anyone? Continue reading
A Film by Rosa von Praunheim Nurses on the night shift roll dice to see which AIDS patient will die next. The owner of a gay bathhouse gets Kaposi’s Sarcoma but tries to keep his mind on profits. An epidemic victim is harassed by a reporter on his death bed – he sticks her with a contaminated syringe. The government opens a quarantine called Hell Gay Land. Gay terrorists kidnap the Minister of Health. A black comedy filled with everybody’s worst fears, A Virus Knows No Morals is Rosa von Praunheim’s most controversial film to date: a savagely funny burlesque on the AIDS crisis. Irreverent yet deadly serious, the filmmaker covers just about every aspect of AIDS and its effects, as well as the rumors surrounding it. Since the 1960′s von Praunheim has produced a provocative body of underground films, making him one of the New German Cinema’s most original artists. “Brave and Vicious – Armed Camp!” – New York Times
In 1965, a man named Matías is admitted to a psychiatric clinic after being found on the street “in the company of homosexuals and intoxicated by alcohol and drugs.” His papers indicate that he is 41 years old and Polish. He claims that his mother was an aristocrat. His arrival will shake up the institution and, in particular, the life of one of its doctors.
Mary and Peter fall in love with each other and are about to get married, when Peter is asked to re-join his regiment to go to war. Shortly thereafter, he is missing, believed to be dead, leaving behind a devastated Mary who subsequently gives birth to twins, and leaves them on the doorsteps of two Goan households, and becomes a nun. Twenty four years later, India is a free country, while Goa is under the rule of the Portugese, Mary is the Mother Superior; Peter, who is still alive, is the Deputy Superintendent of Police in Goa, who has been entrusted the task of apprehending two revolutionaries by the name of Ram and Rahim – none other than his very own sons. Watch what happens when duo unleash a series of attacks against the oppressive Portugese regime, including robbing the Bank of Portugal, disrobing an arrogant Superindent of Police, Alburqueue, then setting his house on fire, joining hands with dreaded bandit Daler Singh, and abducting the daughter of the Goa’s Hakim, Rita. Continue reading
Plot / Synopsis
Feliks Falk’s latest movie “Joanna” is a story set in the time of World War II. The main heroine’s husband had been sent to an Oflag. One day Joanna encounters a little Jewish girl in a church. Despite the risk, she decides to take care of her.
“Joanna” is an example of a true story as it reflects the behaviour of thousands of the Righteous Among the Nations.
Feliks movie has enchanted the audience of 35. Polish Film Festival in Gdynia.
Tadeusz Sobolewski, a film critic, gave the movie a very positive review.
This is an adaptation of one of the most important novels of Argentine literary modernism, Roberto Arlt’s El juguete rabioso (1926). Similar in many ways to Joyce’s Portrait of the Artist as a Young Man (1917), this novel (and the film) chronicles a young man’s journey through a life of poverty on the margins of society in Buenos Aires among anarchists and gangsters during the first years of the 20th century. The novel is essential reading for an understanding of subsequent Argentine literature, yet it is little known outside of Argentina. In El beso de la mujer araña AKA Kiss of the Spider Woman (1976), Manuel Puig was very consciously drawing the whole conceit of the homosexual ‘traitor’/'lover’ and the political prisoner directly from this book.