Lars von Trier – Nymphomaniac: Vol. II (2013)

SHbJ9a Lars von Trier   Nymphomaniac: Vol. II (2013)

29f7c043f76a2bde437fd0d52a185152 Lars von Trier   Nymphomaniac: Vol. II (2013)

CUT VERSION

Quote:
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music. Continue reading

Lars von Trier – Nymphomaniac : Vol. I (2013)

 Lars von Trier   Nymphomaniac : Vol. I (2013)

29f7c043f76a2bde437fd0d52a185152 Lars von Trier   Nymphomaniac : Vol. I (2013)

CUT VERSION

Quote:
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music. Continue reading

Jean-François Stévenin – Double messieurs AKA Double gentlemen (1986)

dfGC27 Jean François Stévenin   Double messieurs AKA Double gentlemen (1986)

29f7c043f76a2bde437fd0d52a185152 Jean François Stévenin   Double messieurs AKA Double gentlemen (1986)

Quote:
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light. Continue reading

Jean-François Stévenin – Le Passe-montagne AKA Mountain Pass (1978)

SySeex Jean François Stévenin   Le Passe montagne AKA Mountain Pass (1978)

29f7c043f76a2bde437fd0d52a185152 Jean François Stévenin   Le Passe montagne AKA Mountain Pass (1978)

PLOT DESCRIPTION
This film marks the directorial debut of actor Jean-François Stevenin. Serge (Stevenin) is a dweller in the French provinces who happens upon Georges (Jacques Villeret), a Parisian motorist in distress. Serge arranges for the car to be taken to a nearby garage. Georges’ friends, who were with him in the car, have continued their journeys. Because of that, Serge takes Georges under his wings while he waits for his car to be repaired, and they tour the countryside and party with the local revelers. Nothing much is said between them, but it is clear that they have become friends Continue reading

Alberto Seixas Santos – Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

1agiFQ Alberto Seixas Santos   Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

29f7c043f76a2bde437fd0d52a185152 Alberto Seixas Santos   Brandos Costumes AKA Gentle Costume AKA Gentle Morals (1975)

Synopsis:
Portrait of the everyday life of a typical middle-class family in parallel with the fall of the “Estado Novo”, the 48-year dictatorship led by Salazar. The daughters’ conflicts and frustrations with their parents, their grandmother and their maid find an obvious echo in the country’s collective events. Continue reading

Ingmar Bergman – Törst AKA Thirst (1949)

INXpai Ingmar Bergman   Törst AKA Thirst (1949)

29f7c043f76a2bde437fd0d52a185152 Ingmar Bergman   Törst AKA Thirst (1949)

Quote:
With Thirst (1949), Ingmar Bergman began to display an astonishing technical virtuosity and control over the medium of film. A crosshatched, multilayered narrative, sewn together with fascinating side trips and flashbacks, Thirst was adapted by theater critic (and Bergman mentor) Herbert Grevenius from four controversial short stories written by famed Swedish stage actress Birgit Tengroth, and moved Bergman even further away from his theatrical origins. Simultaneously a portrait of a decaying marriage and a dreamlike journey through various characters’ tragic pasts and presents, the film evinces a newfound assurance, both in storytelling complexity and visual invention. Notoriously hard on his own work, Bergman himself was even able to later grant, “The film does show a respectable cinematographic vitality. I was developing my own way of making movies.” Continue reading

pixel Ingmar Bergman   Törst AKA Thirst (1949)