The third and definitive film adaptation of L. Frank Baum’s 1900 children’s fantasy, this musical adventure is a genuine family classic that made Judy Garland a star for her heartfelt performance as Dorothy Gale, an orphaned young girl unhappy with her drab black-and-white existence on her aunt and uncle’s dusty Kansas farm.
Dorothy yearns to travel “over the rainbow” to a different world, and she gets her wish when a tornado whisks her and her little dog, Toto, to the Technicolorful land of Oz. Having offended the Wicked Witch of the West (Margaret Hamilton), Dorothy is protected from the old crone’s wrath by the ruby slippers that she wears.
At the suggestion of Glinda, the Good Witch of the North (Billie Burke), Dorothy heads down the Yellow Brick Road to the Emerald City, where dwells the all-powerful Wizard of Oz, who might be able to help the girl return to Kansas.
En route, she befriends a Scarecrow (Ray Bolger), a Tin Man (Jack Haley), and a Cowardly Lion (Bert Lahr). The Scarecrow would like to have some brains, the Tin Man craves a heart, and the Lion wants to attain courage; hoping that the Wizard will help them too, they join Dorothy on her odyssey to the Emerald City. Continue reading
Plot Synopsis [AMG]
Widely regarded as a masterpiece of Spanish cinema, this allegorical tale is set in a remote village in the 1940s. The life in the village is calm and uneventful — an allegory of Spanish life after General Franco’s victory in the Spanish Civil War. While their father (Fernando Fernán Gómez) studies bees in his beehive and their mother (Teresa Gimpera) writes letters to a non-existent correspondent, two young girls, Ana (Ana Torrent) and Isabel (Isabel Telleria), go to see James Whale’s Frankenstein at a local cinema. Though they can hardly understand the concept, both girls are deeply impressed with the moment when a little girl gives a flower to the monster. Isabel, the older sister, tells Ana that the monster actually exists as a spirit that you can’t see unless you know how to approach him. Ana starts wandering around the countryside in search of the kind creature. Instead, she meets an army deserter, who is hiding in a barn. The film received critical accolades for its subtle and masterful use of cinematic language and the expressive performance of the young Ana Torrent. Continue reading
These 22m41s consist of two shots with a text from Maurice Barrès about the decay of Venice followed by a movement from Cantata 205 from the Straubs’ Bach movie. Continue reading
Jo Munkyung (Kim Sang-kyung) — a would-be filmmaker on the cusp of immigrating to Canada — bumps into old friend Bang Jungshik (Yu Jun-sang). The two sit down for drinks and reminisce about their summer vacations, which coincidentally took them both to the coastal city of Tongyeong. We discover their holidays overlapped in other ways, including separate encounters with Wang Seongok (Moon So-ri), a somewhat neurotic tour guide who Munkyung doggedly pursued. This typical late-period Hong setup is enhanced by a back-and-forth flashback structure (recalling the experiments of his earlier works), greater-than-usual levity, and a nearly screwball performance by Moon So-ri (Oasis, A Good Lawyer’s Wife). Continue reading
Comic-book artist Jung returns to Seoul for the first time since he was abandoned at the age of 5. Continue reading
A factory worker lives in a small house and does her shopping at the local store. One morning as she’s getting ready for work, she learns that the factory, which is the center of her universe, is about to move and disappear from sight. Continue reading
A young Polish woman (Hendrickx) on the run from a life as a prostitute winds up in a small town in Northern Holland. When a kindly farmer (Spijkers) finds her bruised and battered he gives her a roof over her head. Their relationship blossoms but is threatened by imminent foreclosure on the farm and by the girl’s past catching up with her. Stylish and intriguing.
This movie is a real character movie. Almost the entire movie focuses purely on just the two main characters. The characters don’t explain anything to each other about how and what. They just accept things as they are and don’t look back, even though the both of them, as implied, had issues in the past. They are definitely not at love at first but they also most certainly don’t hate each other. They slowly and steadily grow- and open up toward each other and also learn from each other, in many different ways. It doesn’t make this movie ‘just’ another unusual love-story but something that goes deeper and therefor also gets more effectively shown on the screen. Continue reading