All the King’s Men is a 1949 drama film based on the Robert Penn Warren novel of the same name. It was directed by Robert Rossen and starred Broderick Crawford in the role of Willie Stark.
Jack Burden is a newspaper reporter who first hears of Willie Stark when his editor sends him to Kanoma County to cover the man. What’s special about this nobody running for county treasurer? He’s supposedly an honest man. Burden discovers this to be true when he sees Stark delivering a speech and having his son pass out handbills, while the local politicians do their best to intimidate him. Willie Stark is honest and brave. He’s also a know-nothing hick whose schoolteacher wife has given him what little education he has. Stark loses the race for treasurer, but later makes his way through law school, becoming an idealistic attorney who fights for what is good. Someone in the governor’s employ remembers Stark when the governor needs a patsy to run against him and split the vote of his rival. The fat cats underestimate Stark; but Jack Burden, Stark’s biggest supporter, overestimates the man’s idealism. To get where he wants to go, Willie Stark is willing to crack a few eggs – which include his tough-talking assistant, Sadie Burke; Jack’s poised and elegant fiancée, Anne Stanton; and even Jack Burden himself.
- Written by J. Spurlin @ IMDB Continue reading
Of the hallowed group of Cahiers du cinéma critics turned filmmakers who transformed French film history, Claude Chabrol was the first to direct his own feature. His absorbing landmark debut, Le beau Serge, follows a successful yet sickly young man (Jean-Claude Brialy) who returns home to the small village where he grew up. There, he finds himself at odds with his former close friend (Gérard Blain)—now unhappily married and a wretched alcoholic—and the provincial life he represents. The remarkable and stark Le beau Serge heralded the arrival of a cinematic titan who would go on to craft provocative, entertaining films for five more decades. (-Criterion) Continue reading
Louis Malle unveiled the natural beauty of Jeanne Moreau in his breakthrough, Elevator to the Gallows. With his follow-up, the scandalous smash The Lovers> (Les amants), he made her a star once and for all. A deeply felt and luxuriously filmed fairy tale for grown-ups, perched on the edge between classical and New Wave cinemas, The Lovers presents Moreau as a restless bourgeois wife whose eye wanders from both her husband and her lover to an attractive passing stranger (Jean-Marc Bory). Thanks to its frank sexuality, The Lovers caused quite a stir, being censored and attacked for obscenity around the world. If today its shock has worn off, its glistening sensuality and seductive storytelling haven’t aged a day. Continue reading
Roy Rogers has been sent to bring in Jesse James. After Wyatt’s bank is robbed and Jesse is blamed, Roy is able to work himself into Jesse’s gang. Learning that Jesse does not have the banks money, Roy realizes Wyatt robbed his own bank posing as Jesse. Roy now sets a trap for Wyatt that he hopes will recover the money.
Review:(Noel Megahey, DVD Times)
It all starts when Filip Mosz (Jerzy Stuhr) buys a little 8mm movie camera to film his new-born baby. Like a true enthusiast, Filip enters into the spirit of his new hobby, filming everything that moves and working on the material on a small editing suite. When he is commissioned by his boss to film a reception being held to commemorate the company’s 25th anniversary, he becomes aware of the pressures of outside expectations and even censorship. The film however gets entered into an amateur film festival and wins third prize (second prize really since none were judged good enough to win first prize!) and he soon finds himself caught up in the world of TV and film-making, helped by an attractive film producer. Suddenly he finds that his new hobby isn’t compatible with the responsibilities of bringing up a small child, nor is it compatible with the wishes of his employer. Continue reading
As far as can be determined, Goha was Tunisia’s first entry in the Cannes Film Festival. Omar Sharif stars as a naïve young man who is taken for granted by friends and family. Little do they know that he has more intelligence, tenacity and imagination than all of them put together. The story takes an unexpectedly dramatic turn when the man falls in love with the young wife of his village’s elderly “wise man”. Based on an ancient Tunisian folk tale, Goha boasts impressive production values and sure-handed direction (by Jacques Baratier). Continue reading
“It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski’s previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours’ names. The worst pain for him is the next 5 minutes of living. He doesn’t accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.”
Summary written by Piotr Leoniak Continue reading