Chantal Akerman – La chambre (1972)

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. . . It is always the act of isolation from another space that brings into sharp focus Akerman’s themes and aesthetics. Jacques Polet has pointed out that the 360-degree pan in La Chambre maps out a literal movement of encirclement completed once the pan reverses, as if the camera had demarcated the minimally essential space for the performance . . .

— from essay on Akerman by Ivone Margulies found here.

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No subtitles as there is no need for any.

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