The Isle is a case in point. Based around a primitive fishing community on a lake, it’s beautifully shot though morally bankrupt, far too eager to visually astound one moment then deeply shock the next. It focuses on a pseudo sado-masochistic relationship between a mute woman and a murderous ex-cop and, seemingly, is out to break almost every taboo available. There’s animal cruelty on a grand scale. There’s at least one rape scene, and one scene in which sexual violence towards women is almost justified by the filmmaker. There’s self-mutilation; a myriad of bodily functions; and, perhaps only a hundred lines of dialogue in the entire movie. It’s almost as if Kim is setting himself up to be Korea’s Takashi Miike, only with better cinematography.
Full Review: : link