This is the uncut 110 minute version.
Imagine John Ford (The Searchers), Jean-Luc Godard (Weekend), and John Waters (Pink Flamingos) collaborating on an insane 1950s melodrama, drenched in succulent Technicolor–rose-petal reds, turquoise blues, saffron yellows, and Pepto-Bismol pinks–and you’re just barely encompassing the cinematic delirium of Tears of the Black Tiger. This fever dream of a movie features rival gunslingers, a poor farmboy and the daughter of a wealthy landowner, a murdered father, bloody revenge, a forced marriage, and a half-dozen other cliches stitched into a preposterous yet weirdly engaging story. But the story isn’t the point; director Wisit Sasanatieng takes every opportunity to dive into a different style or device, ranging from delicate shots of a lovely girl in a mint-green gazebo to spewing gore and full-on battle with machine guns and grenade-launchers. The sets are often blatantly theatrical, the lighting exaggerated, and the acting ranges from wooden to maniacal. In short, this Thai movie is like nothing you’ve ever seen, born of a deep moviemania and unbridled chutzpah, and you owe it to yourself to watch it.