Satoshi Miki’s Adrift in Tokyo is a difficult film to categorize. Is it a road movie? A city film? A buddy movie? A comedy? A drama? The short answer is: yes. It’s each of these things, and when put together, it becomes something substantially greater than the sum of its parts. Miki has managed to craft something touching, hilarious, informative, and brimming with a subdued sense of adventure that one can only get from exploring a seemingly familiar city with a fresh perspective.
The film (more or less) follows the perpetually blank-faced Fumiya (Joe Odagiri), an eighth year law student who has managed to rack up over 800,000 yen in debt and naturally has no way of paying it back. While sitting in his apartment contemplating the finer points of three-color toothpaste, Fumiya is assaulted by ruthless-looking debt collector Fukuhara (a mullet-wielding Tomokazu Miura), who gives him three days to pay back the cash. The days pass and Fumiya makes a series of characteristically half-assed attempts to raise the money, but gets nowhere. Ready to give up, he’s approached once more by Fukuhara, who surprisingly says he will pay a total of one million yen if Fumiya accompanies him on a walk around Tokyo. It might take days, weeks, or months, he says, but after they’re finished his debt will disappear. Having no choice, Fumiya accepts the offer and the film kicks into gear. – Keith Fancher, Midnight Eye