This film took 300,000 photos, riots, wildfires, paintings in abandoned houses, two years and zero graphics to make. It changed my entire life.
Circle of Abstract Ritual began as an exploration of the idea that creation and destruction might be the same thing. The destruction end of that thought began in earnest when riots broke out in my neighborhood in Anaheim, California, 2012. I immediately climbed onto my landlord’s roof without asking and began recording the unfolding events. The news agencies I contacted had no idea what to do with time lapse footage of riots, which was okay with me because I had been thinking about recontextualizing news as art for some time. After that I got the bug. I chased down wildfires, walked down storm drains on the L.A. River and found abandoned houses where I could set up elaborate optical illusion paintings. The illusion part of the paintings are not an end in themselves in my work. They’re an intimation of things we can’t physically detect; a way to get an ever so slight edge on the unknowable.
Early in the process I mapped out a very interconnected narrative structure. It took a long time to fill that narrative structure in, and when I finished editing the film after seven solid weeks of being holed up in a dark room I had no idea if it was something anyone would want to watch. I almost cut the film into pieces before realizing that outside influences were pressuring me to make that decision, and that I was happy with it as it was.
It took a long time to come to the creation side of the original premise. It finally took form in a collaboration with sculptor, Steve Shigley, as well as 15 amazing volunteers who moved full sized tree sculptures 450 times over two nights to create the stop motion climax of the film (see the behind the scenes film, Story of Abstract Ritual for the tale of their monumental effort
The idea I wanted to explore was the creation of culture as a conscious creative act, but without the trappings of dogma from institutions or even from ways of thinking. The circle of inverted trees became a small piece of the world with personal meaning where I could mark significant events, contemplate and reflect. That circle still stands, and I still visit it regularly. Several people who have been there have told me that it’s come to mean something special for them as well. They each have their own fascinating way of interpreting the power inherent in those trees.
eff Frost is a multidisciplinary artist, nomad, and possible proof of alien presence on Earth, who combines painting, photography, music and sound design into short films which are created one frame at a time. He takes hundreds of thousands of high resolution photographs using stop motion and time lapse techniques to record wildfires, riots, night photography and his own paintings in abandoned structures. His work explores large scale contradictions such as the push-pull of societal decay as a negative consequence of technology while simultaneously celebrating said technology.
Frost’s films have been featured at the Palm Springs Museum of Art for the Palm Springs Photo Festival every year since 2012 and in a traveling exhibition in Bangkok for the US Embassy, Nature Nurture 20/20 curated by Hossein Framini. He has received four Vimeo Staff Pick awards as well as being featured in numerous online publications such as The Atlantic, VICE, and Gizmodo. The American Society of Media Photographers (ASMP) named him one of the best photographers of 2014. He has taught workshops and spoken about his work at University of Southern California (USC), Orlando Museum of Art, ASMP, Snap! Orlando Photo Festival, photoLA, Samy’s Camera, The Art Institute, Framingham State University (FSU) and many others.