This shattering adaptation of Alfred Döblin’s masterpiece – made for TV in 13 episodes with a two-hour epilogue – offers a level-headed account of protagonist Biberkopf’s key weakness: his quasi-sexual infatuation with the psychotic pimp Reinhold. Aided by great design, cinematography, and, not least, performances, Fassbinder tells the story surprisingly naturalistically. Then in the epilogue, he offers a disturbing meditation on his own fantasies about Biberkopf. This phantasmagoria is Fassbinder’s most daring act of self-exposure: a movie time-bomb that forces you to rethink the series as a whole. The work of a genuine master with nothing left to lose or hide.