Leaving her lover of four years, Vittoria starts an affair with a stockbroker. But as the film progresses, her emptiness becomes more obvious, echoed in the buildings and the landscape, and she finally decides on a life of solitude rather than marriage or a failing relationship. Completing what is now seen as a trilogy of films on alienation after The Adventure and The Night, The Eclipse paints a picture of how modern industrial society can obliterate the emotions between men and women. Antonioni uses his symbols boldly: the final shots – 52 of them – hauntingly reflect a city empty of life.
Audio Commentary by Richard Peña