After his classes, a teacher is questioned by his wife, who mistrusted the academic project is plotting her husband. The teacher’s intention is to create a “school of the Muses” inspired by the classic references, that should be used to regenerate the world through engagement with poetry. The controversial order triggered a round of scenes around the word and desire.
Spanish director José Luis Guerín is best known in the States for his pseudo-fictional love letter to women-watching In the City of Sylvia,” begins Daniel Kasman in the Notebook, “but in fact is a prolific documentary filmmaker and has brought with him to Locarno the lovely and elegant pseudo-documentary L’Accademia delle Muse [The Academy of Muses]. Playful and clever as ever, Guerín has collaborated with Professor Raffaele Pinto and several actresses, perhaps students, to stage a false course in philology. The class, populated almost entirely by women, discusses the nature, influence and meaning of muses in poetry, and what starts as seemingly a documentary on this classroom, its teacher and a few select students, subtly evolves into a drama of words and unseen actions
Language(s):Spanish, Catalan, Italian