The last film made by legendary French director Abel Gance, Bonaparte et la révolution (1971) was also his final attempt to release the Napoleonic biopic he had begun in the 1920s. Napoléon, vu par Abel Gance (1927) was over nine hours long, but represented only the first of a planned six-film series. Having failed to get funding for the remaining episodes, Gance revamped his silent film as Napoléon Bonaparte (1935) – adding newly-shot scenes and dubbing his decade-old footage. After other abortive attempts to resurrect part or all of his biopic in the 1950s, Gance gained funding from Claude Lelouch to release Bonaparte et la revolution in 1971. This last version recycles footage from the films of 1927 and 1935, as well as material from his television work of the 1960s. The result is a bizarre mishmash of old and new images, performances, and voices – less a coherent film than a document embodying the whole of Gance’s 45-year involvement with his eternally incomplete project.