Measuring Change consists of two shots, which run for about 30 minutes each. The camera is completely still and its placement seems to be exactly the same for both. The film revisits Robert Smithson’s Spiral Jetty, his landmark 1970 sculptural work on the northeast shore of the Great Salt Lake, which the director had already interacted with in Casting a Glance (2007). The filmmaker seemingly repeats the vantage point of one of the shots he made ten years before, allowing the jetty to spiral towards the center of the frame. Yet, there are two major differences. While Casting a Glance was shot on 16mm, and dealt with the durational limitations of the film reel, Measuring Change is shot on digital, which allows one to watch Smithson’s work through Benning’s camera for a much longer period of time (in the Q&A after the screening, he mentioned that he actually prefers the digital image over film – something one doesn’t hear often coming from filmmakers). The other difference is that this time the lake has receded so far back that the Smithson’s piece is completely surrounded by land, while the shore gets lost in the horizon.
264MB | 1 h 1 min | 1024×576 | mkv
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