Boyd Rice may well be the only person alive who’s been on a first name basis with both Charlie Manson and Marilyn Manson. His career has spanned more than three decades, during which time he has remained at the epicenter of underground culture and controversy. Rice first came to prominence in the 70’s as one of the founders of the genre known as Industrial Music, and soon gained a reputation for live shows that were deemed the most abrasive, minamalist and loudest concerts ever staged (his shows regularly clocked in at 130 decibels, whereas a jet plane taking off was a mere 113 decibels). As early as 1980, he was already hailed as The Godfather of Noise Music.
Since then, Rice has extended his creative pursuits to numerous fields, even lecturing at The Massachusettes Institute of Technology, despite being a high-school dropout. “My life”, says Rice, “is a testament to the idea that you can achieve whatever the hell you want if you posess a modicum of creativity, and a certain amount of naivete concerning what is and isn’t possible in this world. I’ve had one man shows of my paintings in New York, but I’m not a painter. I’ve authored several books, but I’m not a writer. I’ve made a living as a recording artist for the last 30 years, but I can’t read a note of music or play an instrument. I’ve somehow managed to make a career out of doing a great number of things I’m in no way qualified to do”.
Larry Wessel’s documentary, ICONOCLAST is a 4 hour long tour de force, 6 years in the making; an in depth expose of Boyd Rice’s life, career, and personal obsessions. No mere documentary, ICONOCLAST is more of a roller coaster ride through the fevered mindscape of one of the most controversial and unique artists of the modern age.
2.05GB | 3h52min | 512×384 | avi