Paul Tatara, TCM wrote:
Some movie projects, no matter how promising, seem doomed to one form of failure or another. When RKO first filmed Edna Ferber’s popular Western novel, Cimarron, in 1931, it was a major critical success, and even snagged the Oscar® for Best Picture. But it was an expensive movie to make, and the studio lost a pile of money on it. Then, when MGM enlisted Anthony Mann to remake Cimarron in 1960, the production was beset with an assortment of problems, including studio interference and a misbegotten romance between its lead performers, Glenn Ford and Maria Schell.
The film’s premiere in Oklahoma was equally rocky. Co-star Anne Baxter, who traveled 9,000 miles from Australia with her husband to attend, discovered that most of her role had been eliminated in the cutting room and was now reduced to less than fifteen minutes of screen time. In her autobiography, Intermission, she also noted that “Ice had formed between Glenn Ford and Maria Schell for ugly private reasons, which didn’t help. During shooting, they’d scrambled together like eggs. I understood she’d even begun divorce proceedings in Germany. It was obviously premature of her. Now, he scarcely glanced or spoke in her direction, and she looked as if she were in shock.”
The resulting picture is a striking example of the CinemaScope process while still being something of a creative mishmash. The critics were bored, audiences stayed away in droves, and MGM never earned a penny from it.
2.52GB | 2h 27m | 1024×436 | mkv