Search Results for: uploadgig

Gonzalo Suárez – Morbo AKA Morbidness (1972)

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This Spanish thriller by dilettante director Gonzalo Suarez tells the story of two newlyweds and the uncanny happenings that attend their low-budget honeymoon. For much of the film the audience is treated to scenes of freshly-married bliss. The couple have parked their car/camper combination in a remote area, and generally frolic around. Then they begin to experience some odd occurrences, such as one of their two hamsters killing the other one. When hubby discovers a nearby home where he can get water, the story gets much more complicated and involves a blind woman, a murderer, and some inexplicable symbolism. Continue reading

Frantisek Vlácil – Marketa Lazarová (1967)

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Quote:
In less than a minute, before the film’s opening titles even conclude, Marketa Lazarová has announced itself as something potentially unique, perhaps indefinable. The first line of a brief prologue declares, “This tale was cobbled together almost at random,” before a title card reiterates what we’re about to see as a “rhapsody in film,” one “freely adapted” by director František Vláčil and co-screenwriter František Pavlíček. That all these things are soon confirmed, even exceeded, is certainly the impetus behind Marketa Lazarová’s reputation as simultaneously one of the greatest and most difficult works of Czechoslovakian cinema. Though it emerged at the height of what came to be known as the Czech New Wave, this 1967 film stands as something rare not just amid the anarchic vulgarity of Daisies or the emotional naïveté of Loves of a Blonde, but also among the greater cinematic landscape of the period. What this film is—along with being, yes, random, free, and rhapsodic—is something stranger, something paradoxical and altogether original: an intimate epic, a tangible hallucination, a visceral symphony, and, perhaps most affectingly, a beautiful display of brutality. Continue reading

Pilar Miró – El Crimen de Cuenca AKA The Cuenca Crime (1980)

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The Cuenca Crime (79) became a cause celebre for critics of the limitation on freedom of expression in Spain (the film is set in 1912 and is about an innocent peasant tortured by two members of the Civil Guard in order to extract a murder confession). The film was briefly suppressed and Miro was tried unsuccessfully for defamation. When released in 1981, it became the highest grossing film in Spanish box office history. Continue reading

Cordelia Dvorak – John Berger or The Art of Looking (2016)

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John Berger: The Art of Looking
BBC Four
Sun 6 Nov 2016
10.30pm-11.25pm

Art, politics and motorcycles – on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped ourunderstanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.

Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. Continue reading

Asghar Farhadi – Forushande AKA The Salesman (2016)

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The Salesman tells the story of a young couple Emad and Rana who play the lead roles in a local rendition of Arthur Miller’s Death of a Salesman. Meanwhile, their personal relationship takes a hit after moving into a house that was previously inhabited by a woman who allegedly pursued a career in prostitution. Continue reading

José Luis Borau – La Sabina (1979)

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A Brit named Michael, comes to Andalusia in the footsteps of an English writer disappeared in that area in the nineteenth century. The mystery, the charm of the place and the fierce beauty of local women catch him completely. Cultural and emotional shock have as a background to the legend of La Sabina, a mythical being who lives in caves and devours men after having sex with them.
Many years ago not to watch this extraordinary film. There is no DVD edition. My film is a high quality digital recording. A Masterpiece of Spanish cinema. Co-produced with Sweden and the wonderful Harriet Andersson and Angela Molina. Continue reading