An enchanting film combining beautiful costumes, fun music and excellent ballet performance
5 March 2005 | by (email@example.com) (United Kingdom)
I saw this film as a child in a small town cinema in Soviet Union, was completely mesmerised by it and since then was looking for it everywhere. Finally, we managed to get a video from Romania. I was so happy. It’s an enchanting, original, musical fairy-tale with a bit of rock’n’roll. The costumes and the music are Romanian indeed, but there are also wonderful Russian actors in main roles. I especially love Mihail Boyarski as the bad guy – the Wolf. There’s also a ballet performance from Bolshoi, and beautiful ballet on ice from Moscow. The film just has so much beauty and energy in it. I recommend it to all children and their parents. Unforgettable experience! Continue reading
Filmed to commemorate the tenth anniversary of the 1917 Russian revolution, End of St. Petersburg was the second feature-length effort of director V. I. Pudovkin. Utilizing many of the montage techniques popularized by his contemporary Sergei Eisenstein, Pudovkin details the fall of St. Petersburg into the hands of the Bolsheviks during the revolution. Unlike Eisenstein, Pudovkin concentrates on individuals rather than groups (his protagonist is a politically awakened peasant played by Ivan Chuvelyov) humanizing what might otherwise have been a prosaic historical piece. The mob scenes, though obviously staged for ultimate dramatic impact, are so persuasive that they have frequently been excerpted for documentaries about the Russian Revolution, and accepted by some impressionable viewers as the real thing. Filmed just after his 1926 masterwork Mother, The End of St. Petersburg was followed by the equally brilliant Storm Over Asia.- allmovie.com
England 1795: the young Catherine just married Charles Fengriffen and moves into his castle. She becomes victim of an old curse that lays on the family. In her wedding night she’s raped by a ghost and gets pregnant.-imdb-
In 1795, in England, the young woman Catherine (Stephanie Beacham) moves to the house of her fiancé Charles Fengriffen (Ian Ogilvy) in the country to get married with him. When she arrives, she feels interest in the portraits of the Fengriffen family, particularly in the one of Charle’s grandfather Henry Fengriffen (Herbert Lom), which seems to have a sort of evil entity possessing it. While admiring Henry’s face, a severed hand attacks Catherine through the picture on the wall. Later, she gets married with Charles, beginning her journey of mystery, eerie apparitions, secrets and deaths, and having her days filled with fear and the nights with horrors in a cursed family.-imdb- Continue reading
At a time in prehistory when Neanderthals shared the Earth with early Homo sapiens, a band of cave-dwellers adopt blond and blue-eyed Ayla, a child of the “Others”. As Ayla matures into a young woman of spirit and courage (unlike other women of the clan), she must fight for survival against the jealous bigotry of Broud, who will one day be clan leader. Based on Jean M. Auel’s popular book, there is minimal narration; subtitles translate the Neanderthal gestures and primitive spoken language Continue reading
A screen version of Anton Pavlovich Chekhov’s short story of the same name (Poprygunya). The film won a Silver Lion of St. Mark and the Pasinetti Prize ( a prize awarded by Italian film critics) for best international film at the 1955 Venice International Film Festival. Continue reading
The exam movie of Béla Tarr.
Documentaristic subject picture about a worker’s hostel. An old worker is suspected with stealing a motor, he’s been fired from the factory and he has to leave the hostel. First he offends and attacks all of his roommates, then he starts to cry and tells that he was a pilot in WWII and he’s left his soul there. An interesting portrait of human reactions and changing emotions. Continue reading
For his feature-film debut, critic-turned-director FranÃ§ois Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre LÃ©aud as Antoine Doinel, Truffaut’s preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places.
The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police, who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine’s unhappiness, which he reveals in a fragmented series of monologues. Continue reading