David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he’s ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O’Brien) still believes in his father’s dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam’s heart as he helps to find the trail that led to his father’s death years ago, he’s disappointed to discover that Miriam is already married — and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam’s love and uncover Peter’s murderous past. Continue reading
Alice White is the daughter of a shopkeeper in 1920’s London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes Alice out one night, but she has secretly arranged to meet another man. Later that night Alice agrees to go back to his flat to see his studio. The man has other ideas and as he tries to rape Alice, she defends herself and kills him with a bread knife. When the body is discovered, Frank is assigned to the case, he quickly determines that Alice is the killer, but so has someone else and blackmail is threatened. Continue reading
This is a biopic of the 19th Century actor, Edmund Kean.
You may remember him for his famous last words: “Dying is easy, comedy is hard.”
Made some 90 years after his death, the film tells of the greatest actor of his time, a man toasted as the greatest actor of all time.
Great though he may have been on the stage, his personal life was a wreck.
He was hounded by creditors, had a problem with alcohol, and to make matters worse, had fallen in love with the wife of an ambassador.
Troubled by the fact that he loves, and is loved, by someone he cannot have, he drowns his troubles in drink, seeming to have a grand time dancing till all hours of the night while really in terrible pain. Continue reading
Every Day was a film that German avant-garde filmmaker Hans Richter made as part of a film production course run by the Film Society. It features filmmaker Sergei Eisenstein playing a policeman, whilst Len Lye and Basil Wright provided technical assistance. These contributions reflect the sense of internationalism occurring at this time in British film circles. The film was completed in 1929 under the title The Daily Round, but was never released because Richter was unhappy with the result. Richter began to rework the film in 1975, but died before its completion. It was finally restored, with the addition of a soundtrack, after his death. Continue reading
about the production
The film began production as a silent film. To cash in on the new found popularity of talkies the film’s producers, British International Pictures, gave Hitchcock the go-ahead to film a portion of the movie in sound. Hitchcock thought the idea absurd and surreptitiously filmed almost the entire feature in sound along with a silent version for theatres not yet equipped for talking pictures.
Lead actress Anny Ondra was raised in Prague and had a heavy Polish accent that was felt unsuitable for the film. Sound was in its infancy at the time and it was impossible to post dub Anny’s voice. Rather than replace Anny and re-shoot her portions of the film actress Joan Barry was hired to actually speak the dialogue while Anny lip-synched them for the film. This makes Ondra’s performance seem slightly awkward. Continue reading
All Quiet on the Western Front (German: Im Westen nichts Neues) is a novel by Erich Maria Remarque, a German veteran of World War I. The book describes the German soldiers’ extreme physical and mental stress during the war, and the detachment from civilian life felt by many of these soldiers upon returning home from the front.
The novel was first published in November and December 1928 in the German newspaper Vossische Zeitung and in book form in late January 1929. The book and its sequel, The Road Back, were among the books banned and burned in Nazi Germany. It sold 2.5 million copies in twenty-five languages in its first eighteen months in print.
In 1930, the book was adapted as an Oscar-winning film of the same name, directed by Lewis Milestone. Continue reading
Prostitution, Statistics And Harangues, 13 November 2009
“Prostitutka” (1927) is a Bolshevist silent rarity, unusual because of its subject matter, that being prostitution in the U.S.S.R. The world’s oldest profession requires a treatment both delicate and balanced, not an easy topic for a first time director like Herr Oleg Frelikh. Actually, this little known work was Frelikh’s only film as a director (prior to this, he had been an actor) and it’s a flawed but interesting effort. Continue reading