Leigh Jason – The Bride Walks Out (1936)

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A model marries a struggling engineer; but he won’t let her keep her job, and they can’t pay the bills, while she is wooed by a wealthy drinker.

Michael Martin (Gene Raymond) tells Paul Dodson (Ned Sparks) he knows of a better job, and they get fired. Michael asks modeling Carolyn (Barbara Stanwyck) to marry, but she wants to keep her job. After work they go dancing. Michael now earns $35 a week; but Carolyn makes $50. They get married during his lunch hour. Carolyn cries and quarrels with Michael. He hits an officer and is put in jail. In court the drunk Hugh McKenzie (Robert Young) is fined and meets Carolyn. She pleads for Michael, and he gets 30 days or $50. Hugh loans them the money. Michael’s electricity is off. Hugh is paid and reluctantly leaves. Michael carries Carolyn in. Continue reading

Christy Cabanne – Mutiny on the Blackhawk (1939)

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Plot

One part high-seas adventure and one part western, Mutiny on the Blackhawk opens as a pair of heroes take a stand against mutineers and a ship load of freed slaves. Eventually the ship docks off the California coast and the twosome disembark. While traveling the land, they end up trying to prevent Mexican soldiers from destroying a village. Continue reading

Abel Gance – Lucrezia Borgia (1935)

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Episodes from the life of Lucrecia Borgia’s. Spoiled and willful, she has many love affairs and tries to resist her ruthless and scheming brother César Borgia’s plans to marry her off for political advantage.

Episodic and hard to follow to those not familiar with Italian geography and with the political situation of the time. Nice sets and costumes but the 16 millimeter print I saw did not show them well.

The kind of movie the French New Wave rebelled against Continue reading

W.S. Van Dyke – Eskimo (1933)

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Plot Synopsis
The remarkable location-filmed Eskimo was adapted from two books: Die Flucht Ins Wiesse Land and Der Eskimo, both written by naturalist Peter Freuchen. Director Woody Van Dyke, in the tradition of his White Shadows on the South Seas and Trader Horn, took his cast and crew on location to the Arctic, arriving by whaling schooner at the topmost settlement in Alaska with author Freuchen as his guide. Van Dyke, Freuchen, and cinematographer Ray Wise also played prominent on-screen roles in the film. Eskimo Ray Mala (billed only by his last name) essays the title role, speaking in the tongue of his ancestors (even though his English was excellent). Rather than use superimposed titles, Van Dyke resorted to old-fashioned silent-movie subtitles in several dialogue sequences. The story concentrates on the more exotic aspects of Eskimo life, notably the race’s (alleged) casual approach to sex. Though tribal leader Mala has, by his own admission, slept with 20 women without benefit of clergy, woe betide anyone who tries to steal his current sweetheart — as a rapacious trader discovers when he’s harpooned to death by the cuckolded hero. Mala is ultimately undone by the Canadian Mounties, whose efforts to civilize the Eskimo community result in a sudden and tragic shift of the balance of power. Editor Conrad A. Nervig won an Oscar for his Herculean efforts to bring cohesiveness to the story. Performing respectably at the box office, Eskimo inspired another location jaunt in 1935: Last of the Pagans, which also starred Ray Mala. by Hal Erickson Continue reading

W.S. Van Dyke – Tarzan the Ape Man (1932)

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Tarzan the Ape Man (1932) is the first feature-length talking (sound) version of the Tarzan series. [Tarzan films stretch into the silent film era back to 1918.] The Tarzan saga was based upon the original ‘Lord of the Jungle’ characters created by novelist Edgar Rice Burroughs. The Tar-zan character (called various titles through the years, including John Clayton, Lord Bloomstoke (Greystoke)), first appeared in late 1912 in All-Story Magazine. Many actors have portrayed Tarzan, both on screen and on television, including Elmo Lincoln, Gene Pollar, P. Dempsey Tabler, James Pierce, Frank Merrill, Larry “Buster” Crabbe, Herman Brix (Bruce Bennett), Johnny Weissmuller, Lex Barker, Gordon Scott, Denny Miller, Jock Mahoney, Mike Henry, Ron Ely, Miles O’Keefe, Joe Lara, Wolf Larson, Christopher Lambert, and Casper Van Dien. Continue reading

W.S. Van Dyke – Guilty Hands (1931)

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Starring: Lionel Barrymore, Madge Evans, Kay Francis, C. Aubrey Smith, Polly Moran, Alan Mowbry

Richard Grant (Barrymore) is a successful lawyer who believes that his many years of dealing with crime has taught him how to commit the perfect murder. He’s working for shady cad Gordon Rich (Mowbry) who informs Grant before a dinner party that he intends to marry his daughter, Barbara (Evans). Grant seethes with anger and, after dinner, kills Rich. It’s almost the perfect crime, but Rich’s troubled mistress Marjorie (Francis), becomes suspicious of Grant. Continue reading

W.S. Van Dyke – Rose-Marie (1936)

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Comment from IMDb:
This was the 2nd film venture for Nelson Eddy and Jeanette MacDonald. Nelson, the former opera star, as a stalwart Mountie and Jeanette, playing the opera star, she never was in real life. Coasting on the phenomenal success of their first film, this set the tone for their next ones–the formula, great singing, gorgeous setting, supposedly in Canada, but actually filmed in the rustic pre tourist attraction of Lake Tahoe. The 2 stars complemented each other perfectly, a love match on screen as well as off. Jimmy Stewart featured in an early role, and David Niven, wasted as a suitor. Gilda Grey, a famous stripper, managed to wear a revealing dress, that escaped the censors. Allan Jones appeared in 2 opera sequences with Jeanette, and proved once more, he was no threat to Nelson Eddy. Beautiful music, some laughs some tears, and always Nelson and Jeanette–together. Continue reading