This is a solid remake of the 1935 film of the same name about big-city political corruption, and it starred Edward Arnold as the corrupt political boss and George Raft as his loyal lieutenant. Stuart Heisler directs this film noir in a workmanlike manner (though, the changed hard-edged ending from the novel is a copout). It is similar themed but less effective than The Maltese Falcon, which was also based on a Dashiell Hammet novel. The Glass Key was supposedly the inspiration for Kurosawa’s Yojimbo. The title refers to the political boss backing a candidate based on the expectation of being rewarded with the key to the governor’s house if all goes according to plan, but is breakable if there’s a betrayal. For Paramount this was a big box-office film because of the star team of Veronica Lake and Alan Ladd, who sparkled as lovers with opposite personalities. Continue reading
Jean Cocteau died on October 11, 1963, the same exact day that his longtime friend, the French chanteuse Edith Piaf, succumbed to liver cancer not all that far away. Some have even speculated that the news of Piaf’s death was what spurred the heart attack that claimed Cocteau, a beautiful, if melancholic coincidence, if we are to put our full faith into what’s ostensibly rumor, seeing as the famed poet, theater director, and filmmaker often remarked that he was more scared of the deaths of his loved ones than he was of his own inevitable demise. Continue reading
Mr. and Mrs. Smith represented a change of pace for director Alfred Hitchcock. Out of his 50+ films, this one was his only comedy. Sure, The Master of Suspense usually added humorous touches to all of his films, but Mr. and Mrs. Smith was his only out and out farce.
The plot revolves around the Smiths, an otherwise happily married couple (Carole Lombard and Robert Montgomery) who have a shocking conversation over breakfast in which Mr. Smith reveals that if he had to do it all over again, he wouldn’t get married. This sends Mrs. Smith into a huff and she starts PMSing on him. Then the Smiths learn through some contrivance that their marriage isn’t legal and after Mr. Smith doesn’t propose right away, Mrs. Smith goes into a snit and starts seeing other people. From there, the couple vie for each other’s affections by making the other one jealous until they finally realize they’re still in love. Continue reading
A well-off young woman decides to become a nun, joining a convent that rehabilitates female prisoners. Through their program, she meets a woman named Thérèse who refuses any help because she says she was innocent of the crime she was convicted for. After being released from prison, Thérèse murders the actual perpetrator of the crime and comes to seek sanctuary in the convent. Continue reading
Two wandering minstrels, Gilles and Dominique, arrive at the castle of the Baron Hugh just as he announces the engagement of his daughter Anne to the knight Renaud. However Gilles and Dominique have really sold their souls to The Devil and have been charged with traveling throughout the land and tempting mortals into damnation by causing them to fall in love with them. Dominique causes both Renaud and Hugh to fall for her. Meanwhile Gilles seduces Anne but then falls for her himself. And so The Devil arrives in person to visit a cruel punishment on the two lovers. Continue reading
The Small Back Room details the professional and personal travails of troubled, alcoholic research scientist and military bomb-disposal expert Sammy Rice (David Farrar), who, while struggling with a complex relationship with secretary girlfriend Susan (Kathleen Byron), is hired by the government to advise on a dangerous new German weapon. Deftly mixing suspense and romance, The Small Back Room is an atmospheric, post–World War II gem. Continue reading
Even in 1945, Marcel Carné’s Children of Paradise was regarded as an old-fashioned film. Set in the Parisian theatrical world of the 1840s, Jacques Prévert’s screenplay concerns four men in love with the mysterious Garance (Arletty). Each loves Garance in his own fashion, but only the intentions of sensitive mime-actor Deburau (Jean-Louis Barrault) are entirely honorable; as a result, it is he who suffers most, hurdling one obstacle after another in pursuit of an evidently unattainable goal. In the stylized fashion of 19th-century French drama, many grand passions are spent during the film’s totally absorbing 195 minutes. Amazingly, the film was produced over a two-year period in virtual secrecy, without the knowledge of the Nazis then occupying France, who would surely have arrested several of the cast and production staff members (including Prévert) for their activities in the Resistance. Children of Paradise has gone on to become one of the great romantic classics of international cinema. Continue reading