Robert J. Flaherty & Richard Lyford & Curt Oertel – The Titan: Story of Michelangelo (1950)

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Imdb says:
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career as he achieves lasting fame. The documentary includes detailed looks at some of the artist’s most renowned creations. Continue reading

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Alfred Hitchcock – Rope (1948)

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Rope (1948) is a film written by Hume Cronyn and Arthur Laurents, produced and directed by Alfred Hitchcock, and starring James Stewart, John Dall and Farley Granger. It is the first of Hitchcock’s Technicolor films, and is notable for taking place in real time and being edited so as to appear as a single continuous shot through the use of long takes. Continue reading

Vincente Minnelli – Meet Me in St. Louis (1944)

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synopsis – AMG:
Sally Benson’s short stories about the turn-of-the-century Smith family of St. Louis were tackled by a battalion of MGM screenwriters, who hoped to find a throughline to connect the anecdotal tales. After several false starts (one of which proposed that the eldest Smith daughter be kidnapped and held for ransom), the result was the charming valentine-card musical Meet Me in St. Louis. The plot hinges on the possibility that Alonzo Smith (Leon Ames), the family’s banker father, might uproot the Smiths to New York, scuttling his daughter Esther (Judy Garland)’s romance with boy-next-door John Truett (Tom Drake) and causing similar emotional trauma for the rest of the household. In a cast that includes Mary Astor as Ames’ wife, Lucille Bremer as another Ames daughter, and Marjorie Main as the housekeeper, the most fascinating character is played by 6-year-old Margaret O’Brien. As kid sister Tootie, O’Brien seems morbidly obsessed with death and murder, burying her dolls, “killing” a neighbor at Halloween (she throws flour in the flustered man’s face on a dare), and maniacally bludgeoning her snowmen when Papa announces his plans to move to New York. Continue reading

George Seaton – Miracle on 34th Street (1947)

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Doris Walker a no-nonsense Macy’s executive, desperately searches for a new store Santa. She hires Kris Kringle who insists that he’s the real Santa Claus. But, he has many skeptics like Doris and her six year old daughter, Susan. So Kris goes to court to try and prove it. Is he the real Santa Claus? Written by Kelly Continue reading

Marylin Monroe – Marylin Monroe pornography (1948)

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Many famous stars began their career in pornography, Marilyn Monroe being one of the greatest examples, who when financially stable declared she no longer had to gratify the sexual demands of studio executives.

A pornographic short film of Hollywood legend Marilyn Monroe recently surfaced in Spain. This grainy black-and-white footage was made in 1947 when Monroe was 21. The American Film Institute, though has denied reports from Spain that it had authenticated the 50-year-old pornographic film purportedly showing Hollywood legend Marilyn Monroe engaging in a sexual act.

As early as 1944 Marilyn Monroe was in Los Angeles modeling and acting and in 1949 posed nude for Tom Kelley in a series of photographs that would later galvanize her image as a sex symbol and fuel her rise to fame. The late 1940’s was a difficult time for Monroe, having lost her 20th Century Fox contract in 1946 she allegedly returned to less reputable means of making money to support herself. Continue reading

William Wyler – The Little Foxes (1941)

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Lillian Hellman’s play, a prime example of the “well-made” variety, is precisely the kind of successful middle-brow property that appealed to Samuel Goldwyn. He had already produced Hellman’s controversial The Children’s Hour (also directed by William Wyler, with cinematographer Gregg Toland), a play that handsomely survived a title change to These Three and the transformation of the issue of lesbianism into an illicit heterosexual affair. No major alterations were required for The Little Foxes. The film even resists the conventional “opening up” so often applied to theatrical texts, in the mistaken notion that fundamental cinematic values are expansively pictorial ones. Continue reading

Julien Duvivier – Black Jack (1950)

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IMDb comment by niathan:

I saw this film when it was released to the minor cinemas in the UK some 50 years ago; and the memory remains of a great musical score, and the tragedy of the storyline. I saw it again on video recently. The sound track was poor and the picture grainy; but it is one of two films that I saw again the next day, the other being Gladiator. The music theme is intensely tragic, and from the outset one knows that it heralds failure or death. Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair. He is attracted to her, selflessly wants to help her, and then falls in love with her, but she is too proud and hurt to accept help. Their love destroys him, and inevetably the girl and the doctor (Herbert Marshall), who brought the nemesis. The storyline is of complex intertwining destinies, where subsidiary characters are not who they appear to be. This is as a film, which diappointed the critics and struggled at the box office; but for the adolescent who saw it, and the retired gentleman who saw it again it is one of the greatest films (taking into account its age)whose story is more akin to an opera. Continue reading

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