When a family has to relocate due to the war, they are ostracized by their new community.
About the director:
One of Japan’s most popular filmmakers after World War II, Keisuke Kinoshita (1912-1998) was a prolific director, writer, and producer, specializing in sentimental dramas and comedies and the use of innovative, expressionistic sets.
Rarely have any of Kinoshita’s fifty or so films been shown outside of Japan, but in that country he was a well-known director who pioneered the use of color in film and repeatedly touched on domestic themes that resonated with Japanese audiences. Despite his conventional plots and subject matter, Kinoshita was often willing to experiment with avant-garde techniques.
Anne, a student in Paris, becomes involved with a group of her brother’s arty friends and gets sucked into a mystery involving Philip, an expatriate American escaping McCarthyism; Terry, a self-destructive femme fatale; theatre director Gérard; and Juan, a Spanish activist who apparently committed suicide, but was he murdered? Philip warns Anne that the forces that killed Juan will soon do the same to Gérard, who is struggling to rehearse Shakespeare’s Pericles. Anne takes a part in the play in an attempt to help him and also discover why Juan died. Continue reading
The widow Rosaria moves to Milano from Lucania with her 4 sons, one of whom is Rocco. The fifth son, Vincenzo, already lives in Milano. In the beginning, the family has a lot of problems, but everyone manages to find something to do. Simone is boxing, Rocco works in a dry cleaners, and Ciro studies. Simone meets Nadia, a prostitute, and they have a stormy affair. Then Rocco, after finishing his military service, begins a relationship with her. A bitter feud ensues between the two brothers, which will lead as far as murder… Written by Kornel Osvart
“…Two spotter pilots for a Japanese fish canning plant crash land on a deserted island where both Godzilla and
Anguirus are already engaged in mortal combat. During the fight the two titans plunge into the sea and
disappear leaving the two onlookers amazed at what they had both witnessed. Would anybody believe their
The Japanese scientific community could take no chances. The two pilots were questioned thoroughly and
asked to identify the monsters from a pile of sketches of known prehistoric creatures. The scientist’s worst fears
would become reality. One of the creatures was indeed another Godzilla and the other an equally beast
Anguirus. Tokyo was destroyed by just one of these monsters. How could Japan defend itself against two…”
Synopsis : At the end of the Warsaw uprising, the few remaining groups of Polish resistance are collapsing under the German onslaught. After taking heavy casualties, the 43 men and women fighters of Lt. Zadra (Wienczyslaw Glinski) are ordered back into the center of the city via the only route not completely controlled by the Germans, the sewers…
Of the hallowed group of Cahiers du cinéma critics turned filmmakers who transformed French film history, Claude Chabrol was the first to direct his own feature. His absorbing landmark debut, Le beau Serge, follows a successful yet sickly young man (Jean-Claude Brialy) who returns home to the small village where he grew up. There, he finds himself at odds with his former close friend (Gérard Blain)—now unhappily married and a wretched alcoholic—and the provincial life he represents. The remarkable and stark Le beau Serge heralded the arrival of a cinematic titan who would go on to craft provocative, entertaining films for five more decades. (-Criterion) Continue reading
Louis Malle unveiled the natural beauty of Jeanne Moreau in his breakthrough, Elevator to the Gallows. With his follow-up, the scandalous smash The Lovers> (Les amants), he made her a star once and for all. A deeply felt and luxuriously filmed fairy tale for grown-ups, perched on the edge between classical and New Wave cinemas, The Lovers presents Moreau as a restless bourgeois wife whose eye wanders from both her husband and her lover to an attractive passing stranger (Jean-Marc Bory). Thanks to its frank sexuality, The Lovers caused quite a stir, being censored and attacked for obscenity around the world. If today its shock has worn off, its glistening sensuality and seductive storytelling haven’t aged a day. Continue reading