Vincente Minnelli – The Bad and the Beautiful (1952)

 Vincente Minnelli   The Bad and the Beautiful (1952)

29f7c043f76a2bde437fd0d52a185152 Vincente Minnelli   The Bad and the Beautiful (1952)

Plot Synopsis [AMG]
Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film’s industry’s most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he’s convinced that there’s no way he can lose. But there’s a rub — all three of these Hollywood heavyweights hate Shields’s guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee’s wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. Continue reading

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Vincente Minnelli – Some Came Running (1958)

 Vincente Minnelli   Some Came Running (1958)

29f7c043f76a2bde437fd0d52a185152 Vincente Minnelli   Some Came Running (1958)

Plot : Dave Hirsch, a writer and army veteran, returns to 1948 Parkman, Indiana, his hometown. His prosperous brother introduces him to Gwen French, a local teacher. But the more flamboyant Ginny has followed him to Parkton, where he also meets gambler Bama Dillert. Dave must come to terms with his roots and with his future. Continue reading

Vincente Minnelli – The Band Wagon (1953)

 Vincente Minnelli   The Band Wagon (1953)

29f7c043f76a2bde437fd0d52a185152 Vincente Minnelli   The Band Wagon (1953)

“In Sight and Sound’s 2002 poll of the ten best films ever made, one musical made the list: Stanley Donen and Gene Kelly’s Singin’ in the Rain (1952). Without denying that film’s considerable charm, a musical released a year later (which failed to receive a single vote in Sight and Sound’s survey) may be worthier of similar hyperbolic citations: The Band Wagon. The films share several points of contact: both are backstage musicals built around songbook catalogues and produced for MGM by Arthur Freed; both have witty screenplays by Betty Comden and Adolph Green; and both feature important roles for Cyd Charisse. One may also see both films as primary examples of what André Bazin called the “genius” of the Hollywood system, in which great films are produced less through a single auteur than through a group of talented individuals working collectively with the sophisticated technical resources of a major studio while simultaneously drawing upon the rich traditions and forms of American popular culture.” Continue reading

Margot Benacerraf – Araya (1959)

 Margot Benacerraf   Araya (1959)

29f7c043f76a2bde437fd0d52a185152 Margot Benacerraf   Araya (1959)

The restoration of Margot Benacerraf’s brilliant 1959 tone poem ARAYA, commemorating the 50th anniversary of the film’s first showing at the Cannes Film Festival, will change the face of Latin American film history. Although it shared the Cannes International Critics Prize with Alain Resnais’s Hiroshima, Mon Amour, ARAYA was never picked up for widespread distribution. Rarely shown, this masterpiece was largely forgotten by the film world. Milestone’s North American theatrical premiere and worldwide release in 2009 will give audiences the chance to rediscover Benacerraf — a powerful and distinctive voice in the history of cinema. Continue reading

Luis Buñuel – El AKA This Strange Passion (1953)

5YOJdN Luis Buñuel   El AKA This Strange Passion (1953)

29f7c043f76a2bde437fd0d52a185152 Luis Buñuel   El AKA This Strange Passion (1953)

Quote:
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to marry him. Francisco is a dedicated husband, but little by little his passion starts to exhibit disturbing traits. Nevertheless, Gloria meets with scepticism as she expresses her worries to their acquaintances. Continue reading

Federico Fellini – La Dolce Vita (1960)

Q0CSVO Federico Fellini   La Dolce Vita (1960)

29f7c043f76a2bde437fd0d52a185152 Federico Fellini   La Dolce Vita (1960)

Quote:
In one of the most widely seen and acclaimed European movies of the 1960s, Federico Fellini featured Marcello Mastrioanni as gossip columnist Marcello Rubini. Having left his dreary provincial existence behind, Marcello wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. He yearns to write seriously, but his inconsequential newspaper pieces bring in more money, and he’s too lazy to argue with this setup. He attaches himself to a bored socialite (Anouk Aimée), whose search for thrills brings them in contact with a bisexual prostitute. The next day, Marcello juggles a personal tragedy (the attempted suicide of his mistress (Yvonne Furneaux)) with the demands of his profession (an interview with none-too-deep film star Anita Ekberg). Throughout his adventures, Marcello’s dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there’s nothing he can do to change it and so he might as well enjoy it. Fellini’s hallucinatory, circus-like depictions of modern life first earned the adjective “Felliniesque” in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics CIrcle award for Best Foreign Film and the Palme d’Or at the Cannes Film Festival. Continue reading

Ivan Pyryev – The Idiot (1958)

 Ivan Pyryev   The Idiot (1958)

29f7c043f76a2bde437fd0d52a185152 Ivan Pyryev   The Idiot (1958)

SYNOPSIS: Upon Prince Myshkin’s return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for the wanton, Nastasia. The choices all are forced to make lead to great tragedy.

IMDB wrote:
In the period 1955-60 some absolutely incredible movies were made in the Soviet Union. This is no exception. Based on the classic novel, the script of course holds masterpiece quality. Visually, it’s also a masterpiece. The music is one of the most dramatic soundtracks I’ve heard. And not least, Yuliya Borisova in the role of Nastasia Philippovna gives the most charismatic acting performance I’ve ever seen. Throughout the movie I simply couldn’t wait for her to get into the frame again whenever absent. I’ve never ever been this hypnotised by an actor or an actress before (and I’ve actually given that careful thought). The other actors also give stellar performances. As the events unfolded, I felt this movie pushed the script to its ultimate limits. At the end, you will find yourself filled up with uncontrolled emotions that you don’t even know the name of. The movie is so dramatic that some people may find it unrealistic, but I assure you: these characters are out there in the real world, and this play may have relevance to anyone’s life. At some point, most people with brains will seek out this story. My tip is, don’t read the book. Don’t see any theatre play or movie based on it but this one. Though the movie may take a lifetime to find – *it’s worth it*! Continue reading

pixel Ivan Pyryev   The Idiot (1958)