Ishirô Honda & Terry Morse – Godzilla, King of the Monsters! (1956)

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American reporter Steve Martin, on his way to Cairo for an assignment, has a stop over in Tokyo. During the layover, he decides to visit his old friend Dr. Daisuke Serizawa. However, the night before he lands, his plane passes over an area where a ship suddenly exploded and caught fire killing all hands. Continue reading

Henri-Georges Clouzot – La Vérité AKA The Truth (1960)

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Plot summary from IMDB:

Dominique Marceau is on trial for the murder of Gilbert Tellier. The counsels duel relentlessly, elaborating explanations for why the pretty, idle and fickle girl killed the talented and ambitious conductor freshly graduated from the conservatory. Was it passion, vengeance, desperation, an accident? The acquaintances of Gilbert testify, as well as Dominique’s former lovers, and her sister, Annie, the studious violin player engaged to Gilbert. The evidence they give progressively paints a more finely-shaded picture of the personalities of Dominique and Gilbert, and of their relationship, than the eloquent and convincing justifications of the counsels. Continue reading

Frank Tashlin – The Girl Can’t Help It (1956)

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Description:
The Alphabet Murders is a 1965 British detective film based on the novel The A.B.C. Murders by Agatha Christie, starring Tony Randall as Hercule Poirot. The part of Poirot had originally been intended for Zero Mostel but the film was delayed because Agatha Christie objected to the script. The film varies significantly from the novel and emphasises comedy. Continue reading

Frank Tashlin – Artists and Models (1955)

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Jonathan Rosenbaum of the Chicago Reader wrote:

Quote:
The best Dean Martin and Jerry Lewis movie (1955) is also Frank Tashlin’s best feature at Paramount, a satire about the comic book craze with explosive uses of color and VistaVision, better-than-average songs, and much-better-than-average costars, especially Dorothy Malone and Shirley MacLaine (the latter giving Lewis a run for his money in terms of goofy mugging). Martin and Malone are comic book artists, MacLaine is a model for the Bat Lady, and Lewis is a deranged fan whose dreams wind up inspiring (or is it duplicating?) comic book stories and the coded messages of communist spies—or something like that. Five cowriters are credited along with Tashlin, but the stylistic exuberance is seamless, and this film eventually wound up providing the inspirational spark for Jacques Rivette’s late, great New Wave extravaganza Celine and Julie Go Boating (1974). With Eva Gabor and Anita Ekberg. 109 min. Continue reading