Tokuzô Tanaka – Daisatsujin orochi aka The Betrayal (1966)

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Synopsis:

An absolutely fabulous film, featuring an extended fight scene (~10minutes!) that is the best since SWORD OF DOOM! Far and away Raizo Ichikawa’s best fighting ever!!! He plays an honorable clan retainer and assistant sword instructor who goes on the road after the lord’s nephew murders a neighboring clan samurai, thus taking the heat for the crime. His trusting nature leads only to the ultimate betrayal.
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Roland Klick – Bübchen AKA Little Boy [+Extras] (1968)

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“Buebchen” is the german word for “Little Boy”. The film was also released under the title “Little Vampire” which doesn’t make any sense at all.

Synopsis
In a german suburb a babysitter is too busy with her own teenage business and leaves a boy with his little sister alone. Then the girl is missing. The only way the family and society are able to deal with the horror is to ignore it and hide the truth in the closet.

A sharp study of german middle class society in the late 60s.
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François Reichenbach & Frédéric Rossif – Portrait: Orson Welles (1968)

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A famous French documentary director has chosen to match his talents with those of a powerful subject who talks on his youth, his formative years, his life and work. Reichenbach on Welles on Welles, one might say.

These recollections help to explain something of the creative processes of film making, comparing the behaviour of Welles the director and Welles the man. Orson at home, Orson interviewed at the Cannes Festival, Orson shooting a scene with Jeanne Moreau… Orson in portrait. No less. (MIFF) Continue reading

Lucio Fulci – I Maniaci aka The Maniacs (1964)

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Plot Synopsis by Robert Firsching
A minor comedy from Italian filmmaker Lucio Fulci (Zombi 2; L’Aldila), this anthology is of interest primarily to cult devotees for marking the notorious director’s only collaboration with legendary “scream queen” Barbara Steele (La Maschera del Demonio). Lushly photographed and filled with popular comedians of the era (including Franco Franchi and Ciccio Ingrassia, who made several of their “Franco and Ciccio” comedies with Fulci), the film’s sketches spotlight various manias. As might be expected, nymphomania gets an extended treatment, with all the requisite mugging, leering, and smarmy asides common to Italian comedies of the period, as well as a lengthy parade of songs, many scored by Ennio Morricone, and some international burlesque performers. Enrico Maria Salerno and Walter Chiari lead a cast which includes Lisa Gastoni, Gaia Germani, Umberto d’Orsi, and Raimondo Vianello. Continue reading

Federico Fellini – Giulietta degli spiriti AKA Juliet of the Spirits (1965)

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Quote:
Fellini lore has it that the master made “Juliet of the Spirits” as a gift for his wife. Like many husbands, he gave her the gift he really wanted for himself. The movie, starring a sad-eyed Giulietta Masina who fears her husband is cheating, suggests she’d be happier if she were more like her neighbor, a buxom temptress who entertains men in a tree house. Continue reading

Vicente Aranda – Fata Morgana (1965)

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“Gim is a beautiful fashion model whose life is in peril. There is a homicidal killer who seek to murder her only Gim is totally unaware of her danger. The only person who seems to be sure that the killer will strike is a professor at a local collage. A police detective also believes the killer will strike but knows not the killer nor the victim. Upon speaking to the professor he has the victims identity and must find her in the mostly deserted city populated by a small group of unusual people who attempt to thwart his search. Continue reading