1961-1970

  • Armand Gatti – El otro Cristóbal (1963)

    1961-1970Armand GattiArthouseCubaPolitics

    Using satire, encoded in symbolism and surrealism, the French director Armand Gatti tells the story of an imaginary country in Latin America governed by Admiral Anastasio. In this setting, Cristóbal, a foreign sailor, and Julio Bobadilla, a black peasant convinced of the importance of the organ music from Manzanillo to stimulate the revolution, become the leaders of a social movement that plans to overthrow the tyrant to the rhythm of conga.Read More »

  • Jean-Claude Brisseau – Mort dans l’après-midi (1968)

    1961-1970ArthouseFranceJean-Claude Brisseau

    Quote:
    Lisa Heredia, la veuve et la monteuse de Jean-Claude Brisseau, nous a confié ces films. Ce sont ses tout premiers essais, qu’il a montrés quelques années plus tard à Eric Rohmer, qui en fut enthousiasmé et qu’il l’a introduit auprès [de la maison de production] des Films du Losange. Comme il est pour l’instant peu probable que la société nous permette de reprogrammer la rétrospective qui aurait dû lui être consacrée, nous avons jugé de notre devoir de montrer ces films sur notre plate-forme pour compléter la connaissance qui est due à tout grand cinéaste. (Frédéric Bonnaud, Le Monde)Read More »

  • Tinto Brass – Yankee (1966)

    1961-1970Euro WesternsItalyTinto BrassWestern

    Synopsis:
    Yankee, (Philippe Leroy in his first western) is a bounty killer who decides to take on a bandit chief and his henchmen when he realises the prices on all their heads adds up to a tidy sum. The bandit, El Grande Concho (Adolfo Celi), is lord of the entire region and resides like a king at court in an abandoned church surrounded by his entourage of philosopher, painter, fortune teller and soldiers; robbing and murdering anyone who ventures into his territory. Add to this a shipment of gold big enough to make them all rich beyond their dreams and the stage is set for gunplay, intrigue and cruelty as the lone gunman sets his wits and skills against the might of the megalomaniac leader.Read More »

  • Kihachi Okamoto – Aa bakudan AKA Oh, Bomb! (1964)

    1961-1970ComedyCrimeJapanKihachi Okamoto

    Synopsis:
    The sixth generation boss of the Ona yakuza, Daisaku Ona, attempts to return to his old gang after three years in prison, only to discover that it has transformed into a corporation and that its new leader is campaigning as a candidate in the municipal election. The deposed boss finds offense at his old gang’s abandonment of tradition and, with the help of his loyal cellmate and bomb-maker Taro, sets out to take revenge against his usurper with a brilliant idea – a bomb hidden within a fountain pen! Based on Cornell Woolrich’s story “Dipped in Blood”, this tale of generational conflict and uneasy Westernization features a tour-de-force performance by its star, Yunosuke Ito, and is constructed by Kihachi Okamoto as a kind of slapstick musical merging broad comedy and black humor with an eclectic mix of musical and theatrical styles.Read More »

  • Lance Comfort – The Breaking Point (1961)

    1961-1970CrimeFilm NoirLance ComfortUnited Kingdom

    Quote:
    Based on a novel by Laurence Meynell, this film tells of a young businessman from England who who gets involved in a scheme to inundate a small communist country in the Middle East with counterfeit money. Things do not go as planned when his wife begins digging into matters. This thriller runs a short 59 minutes. ~ Kristie Hassen, RoviRead More »

  • Larisa Shepitko – Znoy (1963)

    1961-1970ArthouseDramaLarisa ShepitkoUSSR

    Quote:
    Heat was Shepitko’s diploma feature, her extraordinary talent underlined by its unprecedented success, winning prizes at the Leningrad and Karlovy Vary Film Festivals. It was also made in gruelling conditions on the barren steppes, the young director falling ill and having to direct from a stretcher. The story fuses serious political drama and cowboy showdown as an idealistic high school graduate goes to work on a state farm, only to clash with its authoritarian, Stalinist leader.Read More »

  • Vladimir Denisenko – Sovist AKA Conscience (1968)

    1961-1970UkraineVladimir DenisenkoWar

    Quote:
    The story is set in a small village during the German occupation of Ukraine. When one of the local partisans kills a German officer, the occupants vow to kill the whole village if the perpetrator is not found and delivered to them. What would your conscience tell you to do if the choice was between your own life and that of an entire village? Conscience is a striking combination of expressionistic, metaphorical images and dramaturgic realism, and the soundtrack darkens the mood. Due to the film’s themes, it did not see wide release until perestroika. Made by students of the directing-acting workshop of Vladimir Denisenko at the Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University, it was only allowed to be made because it was never to be screened. Nowadays, the film is considered a classic of Ukrainian cinema.Read More »

  • Hans W. Geissendörfer – Jonathan (1970)

    1961-1970ArthouseGermanyHans W. GeissendörferHorror

    In a apocalyptic 19th century landscape where wealthy vampires have taken over the world, a group of humans prepare an uprising, and select an adventurous young man to track down the leader of the undead and destroy him.Read More »

  • Kôji Wakamatsu – Zoku Nihon bôkô ankokushi: Bôgyakuma AKA Dark Story Of A Japanese Rapist (1967)

    1961-1970CrimeExploitationJapanKoji Wakamatsu

    Synopsis:
    Fresh off the box-office success of Violated Angels, an eroticized dramatization of the Richard Speck case, director Koji Wakamatsu turned his attention to another real-life criminal, Yoshio Kodaira, the rapist who terrorized Tokyo in the post-WWII period. Renamed Marqui de Sadao here, and played with a skillfully detached cruelty by future director Osamu Yamashita (Joji Zankokushi), the rapist is depicted as far more perverse than his real-life model, including whipping and mutilation in his bag of evil tricks. As in Wakamatsu’s previous film, capitalism takes the blame for nearly every wrong in Japanese society, but in the context of such an exploitative and calculated attempt to earn box-office attention, much of the social criticism falls flat. Miki Hayashi co-stars with Kazue Sakamoto and Mikiko Ohkawa.Read More »

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