1961-1970

  • Mladomir ‘Purisa’ Djordjevic – Jutro AKA The Morning (1967)

    1961-1970DramaMladomir 'Purisa' DjordjevicWarYugoslavia

    The war has ended leaving a deep trace in people. Going trough a different conflicts in the first days of peace – dealing with a former enemy’s collaborators and executing traitors – a former soldier continues with killing even in peace. So, the war goes on, a struggle within himself and with the people around him.Read More »

  • Billy Wilder – Irma la Douce (1963)

    1961-1970Billy WilderComedyUSA

    Quote:
    Just three years after earning Academy Awards for Best Picture and Director for 1960’s The Apartment, Billy Wilder re-teamed with Jack Lemmon and Shirley MacLaine for another look at love and relationships. But this time the drab New York insurance building was traded for the bawdy streets of Paris, and secretaries replaced with prostitutes. Once again, Wilder poked fun at the taboo subject of sex and again, his instincts paid off: Irma La Douce was Wilder’s biggest commercial success yet, and received three Academy Award nominations, winning one for Andre Previn’s lush score.Read More »

  • Sidney Lumet – The Pawnbroker (1964)

    Drama1961-1970ClassicsSidney LumetUSA

    Synopsis:
    In a poor neighborhood of New York, the bitter and lonely Jewish pawnbroker Sol Nazerman is a survivor from Auschwitz that has no emotions or feelings. Sol lost his dearest family and friends in the war and his faith in God and belief in mankind. Now he only cares for money and is haunted by daydreams, actually flashbacks from the period of the concentration camp. Sol’s assistant is the ambitious Latino Jesus Ortiz, who wants to learn with Sol how to run a business of his own. When Sol realizes that the obscure laundry business he has with the powerful gangster Rodriguez comes also from brothels, Sol recalls the fate of his beloved wife in the concentration camp and has a nervous breakdown. His attitude leads Jesus Ortiz to tragedy and Sol finds a way to cry.Read More »

  • Roy Rowland – The Girl Hunters (1963)

    1961-1970CrimeRoy RowlandThrillerUnited Kingdom

    Synopsis:
    Private detective Mike Hammer (Mickey Spillane) is found by the police, lying in a back alley in a drunken stupor – the same drunken stupor he’s spent the last few years suffering from since his secretary Velda disappeared. But the police want him sober because they have a fast-fading victim of a shooting in the local hospital and he has requested to speak with Hammer before he dies. Hammer is taken to the home of police captain Pat Chambers (Scott Peters) and roughed up by the testy lawman, then escorted to the hospital where after another drink to steady his nerves Hammer speaks with the dying man, who tells him that the man who shot him is the same killer who is chasing after Velda… a killer known as The Dragon.Read More »

  • Norman Jewison – The Thrill of It All (1963)

    1961-1970ComedyNorman JewisonRomanceUSA

    Synopsis:
    Successful OB-GYN Gerald Boyer (James Garner) and his wife, Beverly (Doris Day), are happily married with two children. At a dinner gathering, Beverly discusses her favorite soap, Happy Soap, and how much she enjoys it. When Beverly is introduced to the company’s owner, she is immediately offered a contract as the product’s spokeswoman for TV commercials. However, Gerald has a hard time adjusting to his wife’s newfound fame, and plots to foil Beverly’s career in order to keep her at home.Read More »

  • Robert Wise – The Haunting (1963)

    1961-1970ClassicsHorrorQueer Cinema(s)Robert WiseUSA

    Synopsis:
    Dr. John Markway, an anthropologist with an interest in psychic phenomena, takes two specially selected women to Hill House, a reportedly haunted mansion. Eleanor (Julie Harris), a lonely, eccentric woman with a supernatural event in her past, and the bold Theodora (Claire Bloom), who has ESP, join John and the mansion’s heir, cynical Luke (Russ Tamblyn). They are immediately overwhelmed by strange sounds and events, and Eleanor comes to believe the house is alive and speaking directly to her.Read More »

  • Jacques Tourneur – The Comedy of Terrors (1963)

    1961-1970ComedyHorrorJacques TourneurUSA

    Synopsis:
    Waldo Trumbull (Vincent Price) is an amoral undertaker in 19th-century New England who takes to murdering people to have enough cash to support his drinking habit. Desperate for money after a widow stiffs him for a burial, Trumbull and his assistant, Gillie (Peter Lorre), decide to kill the wealthy Mr. Black (Basil Rathbone), their landlord, to whom they’re indebted. But murdering Black proves to be quite a challenge, as he seems to keep recovering from death every time they do him in.Read More »

  • Roger Corman – The Terror (1963)

    1961-1970HorrorRoger CormanThrillerUSA

    Synopsis:
    Lt. Duvalier (Jack Nicholson), a French soldier, loses contact with his unit and is forced to wander alone near the Baltic Sea. While in search of his regiment, he spies Helene (Sandra Knight), a mysterious beauty, walking by herself. Mesmerized, Duvalier begins tracking her, but she vanishes. He later catches up with her and follows her into a castle, where he encounters the bizarre Baron Von Leppe (Boris Karloff), finds signs of witchcraft and learns the shocking truth about Helene.Read More »

  • Roberto Rossellini – Viva l’Italia! (1961)

    1961-1970ArthouseItalyRoberto RosselliniWar

    1860. Italy is divided in 8 states. But after 60 years of heroic wars, frontiers’ll soon fall, thanks to Giuseppe Garibaldi & the legendary volunteers who fought with him, known as the thousand.

    cinepassion wrote:
    The unification of Italy from Messina to Volturno, the past made flesh by Roberto Rossellini in a commemorative mood. Il Tricolore sways splendidly under the credits and then over a map of fragmented states circa 1860, a orchestral preamble concluding with a skirmish against an electric cobalt sky. Garibaldi (Renzo Ricci) is middle-aged, ginger-bearded, rheumatic, and utterly, serenely determined; before battle, he squats by the meadow to savor some local bread: “Anyone have any salt?” As the Redshirts charge uphill, the camera takes a paradoxically distant and urgent view of the clashing brigades and puffs of gunsmoke dotting the landscape — a study in long shots, a cosmic vantage.Read More »

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