1961-1970

Uri Zohar – Hor B’Levana AKA Hole in the Moon (1964)

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Quote:
I can’t stress enough how wonderful, anarchic and unique is this early Israeli film. It blends lots of genres and pokes
fun at many sacred cows while dealing with connections between cinema, reality and its ideological representations.
There simply isn’t any other film like that, and it’s the first time it’s on the net, with subs.
Not much information in English, so I edited an article I’ve found, but it dosen’t do the movie justice:
A comic and episodic satire, the film uses improvization to ilustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray film as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics- parallel to the miracle of Israel, the dream that has become reality (?). Although not a commercial success, there’s no equal to it in all of the Israeli films made since then. Read More »

Masaki Kobayashi – Ningen no jôken AKA The Human Condition III: A Soldier’s Prayer (1961)

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Criterion Collection wrote:
Masaki Kobayashi’s mammoth humanist drama is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three parts, the nine-and-a-half-hour The Human Condition (Ningen no joken), adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji (handsome Japanese superstar Tatsuya Nakadai) from labor camp supervisor to Imperial Army soldier to Soviet POW. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals an impediment rather than an advantage. A raw indictment of its nation’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best. Read More »

William Castle – Homicidal (1961)

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Quote:
Gimmicky B-movie fright master William Castle (THE TINGLER, STRAIT JACKET) enters the adventurous (for 1961!) world of gender psychology in this effective suspense picture. Bombshell Emily (Jean Arless) murders the justice of the peace after he marries her to Warren (Glen Corbett) a hotel bellboy whom she paid to do so. The odd couple then move to the sleepy town of Solvang, where she works for Warren’s childhood guardian Helga (Eugenie Leontovich), a mute, wheelchair-bound old woman. Emily terrorizes Helga, knowing that Helga has no way of informing anyone about her murderous manners. Warren’s half-sister Miriam (Patricia Breslin) begins to unravel some family secrets–but not before the body count increases! This low-budget “tribute” to the previous year’s PSYCHO featured a “fright break” in its theatrical run which allowed views to get their money back if they were too scared to watch the conclusion. Read More »

Marco Ferreri – Break up AKA The Man with the Balloons (Uncut) (1965)

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Plot Synopsis by Dan Pavlides

Mario (Marcello Mastroianni) is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting. His principle romantic interest in this feature is played by Catherine Spaak. The majority of the film seems to come from previous efforts from 1964 and 1965 which additional footage was added to, to insure an 85-minute full-length movie. A new soundtrack has been added as well. Read More »

Peter de Rome – The Erotic Films of Peter de Rome (1966-1972)

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Contents:
Main content:
The shorts:
Double Exposure 7minutes 03 seconds
Hot Pants 5 minutes 46 seconds
The Second Coming 13 minutes 34 seconds
Daydreams from a Crosstown bus 14 minutes 11 seconds
Mumbo Jumbo 13 minutes 51 seconds
Green Thoughts 9 minuts 15 seconds
Underground, (my favourite) 10 minutes 46 seconds and
Prometheus 21 minutes 21 seconds

Extras: Complete and untouched:
– Fragments: The Incomplete Films of Peter de Rome (Ethan Reid, 2012, 43 minutes): revealing new documentary in which Peter de Rome discusses his many incomplete and unfinished films.
– Scopo (Peter de Rome, 1966, 6 minutes): when a young man arrives at an empty apartment, he is unaware that a stranger is watching him.
– The Fire Island Kids (Peter de Rome, 1970, 12 minutes): two men spend a lazy day in each other’s company after one rescues the other from drowning
– Moulage (Peter de Rome, 1971, 13 minutes): humour and art collide in this study of erotic body casting.
– Brown Study (Peter de Rome, 1979, 9 minutes): an ethnographic study with a difference.
– Abracadaver! (Nathan Schiff, 2008, 10 minutes): a gruesome tale of magic and mutilation from producer David McGillivary, starring Peter de Rome. Read More »

Jack Smith – Flaming Creatures (1963)

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Amazon.com:
Reviled, rioted over, and banned as pornographic even as it was recognized as an unprecedented visionary masterpiece, Jack Smith’s “Flaming Creatures” is the most important and influential underground movie ever released in America, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini, and John Waters, as well as a scandal taken to the United States Supreme Court, described by its maker as “a comedy set in a haunted music studio. Read More »

Koji Wakamatsu – Yuke yuke nidome no shojo aka Go Go Second Time Virgin (1969)

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Synopsis
Prolific Japanese filmmaker Koji Wakamatsu’s Go, Go Second Time Virgin tells the tale of two Japanese teens brought together by sexual violence, revenge, and rebellion. A girl (Mimi Kozakura) is forcibly carried to a rooftop and gang-raped, as a boy of similar age (Michio Akiyama) stands to the side watching the events unfold. The boy remains on the roof until the next morning, waiting for the girl to wake. When she does finally rise, the two teens begin sharing intimate details about their lives, including the fact that the boy has recently killed four people that forced him to take part in an orgy. As the two kindred spirits sink lower and lower into depression and delusion, they exact revenge for the crimes against the girl and take a bold, tragic step to end their misery once and for all.
~ Ryan Shriver, All Movie Guide Read More »