Masahiro Shinoda – Sakura no mori no mankai no shita AKA Under the Blossoming Cherry Trees (1975)


When a mountain man (Lone Wolf and Cub’s Tomisaburo Wakayama) kills a man and steals his wife (Shima Iwashita), he bites off more than he can chew. Rather than being a submissive victim, the beautiful woman soon browbeats her murderous husband into total compliance, convincing him to murder all but one member of his harem of dirty mountain women. She soon becomes his wife, and convinces him to take her (and the one girl she spared, now a maid) to the capital, where the mountain man begins his new vocation: collecting heads for his wife, who uses them as props in her own personal melodramas. Soon, Wakayama (his character has no name) becomes a feared figure in the city, and his wife’s collection of heads grows and grows. But how long can it last? Continue reading

Werner Schroeter – Goldflocken (1976)


Werner Schroeter’s rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

Film en quatre épisodes : Cuba, Drame du rail, Coeur brisé et La Trahison. Dans Flocons d’or, qui traite de la mort, l’héroine Montezuma est l’épouse française d’un gros propriétaire terrien qui se droque. L’action se déroule à Cuba vers la fin des années 40. Des quatre épisodes du film, un seul comporte une ironique lueur d’espoir. Continue reading

Eloy de la Iglesia – Una Gota de sangre para morir amando AKA Murder In A Blue World (1973)


Words from the net:

Often described as “the Spanish A Clockwork Orange”, this controversial shocker is set in a violent near-future world. Honest citizens live in terror as gangs of leather clad, whip-wielding sadists roam the nighttime streets. Meanwhile, in a top-secret laboratory, strange mind control experiments are being conducted. Against this background a beautiful nurse tries to ease the pain of those condemned to die. But who really is this angel of mercy and what is the purpose of her mission? Continue reading

Rainer Werner Fassbinder – Angst vor der Angst aka Fear of Fear (1975)


For a long, in-depth review; see Jim’s Reviews link

From Bill’s Movie Emporium:
The story presented in Angst Vor Der Angst isn’t original by any means, although in 1975 I’m sure it had some originality to it. Originality doesn’t matter though, because Angst Vor Der Angst is about a quality director taking a relatively simple subject and turning it into a great movie. Angst Vor Der Angst is a dramatic tale, yet it is a tale we can relate to. Some of the characters may seem cliche, but they aren’t over the top and most of us have had a domineering mother-in-law or a bothersome sister-in-law in our lives. Continue reading

Eloy de la Iglesia – El techo de cristal aka The Glass Ceiling (1971)


“This is the second Eloy de la Iglesia film I have seen (the first being CANNIBAL MAN) and I found it to be an excellent thriller. Lonely housewife Carmen Sevilla begins to let her imagination get the best of her when she hears a man’s footsteps in the apartment above her late at night. Her upstairs neighbor (Patty Shepard) insists it was her husband who had returned from business, but Sevilla doesn’t believe her and begins to investigate. This is a great film, with lots of nice twists along the way and an incredible dream sequence. The final revelation is one that will have you thinking for hours afterwards. I enjoyed this much more than the straight forward CANNIBAL MAN.”
by udar55 IMDB review Continue reading

Krzysztof Zanussi – Iluminacja AKA Illumination (1973)


Unanimous winner of all three main prizes at the 1973 Locarno International Film Festival, Zanussi’s landmark film is a dazzling kaleidoscope of ideas and images. Illumination explores the life of a selfabsorbed young physicist trying to understand his place in the universe. He thinks science will provide the answers, but ultimately learns far more about himself through experiencing love, betrayal, loss, and facing his own mortality. As much a philosophical essay as a narrative feature, Illumination is a cinematic mosaic combining art and science, intellect and emotion. Innovatively structured, this unflinching examination of one man’s life became an iconic cultural marker for a whole generation. Continue reading