Franz Novotny – Exit… nur keine Panik AKA Exit… But No Panic (1980)

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Quote:
The Year is 1980 and it’s Summer in Vienna

Most people outside of Austria will rarely get a chance to see this movie, but if you get a chance like this, don’t let it pass as you as you’re on for a real treat. ‘Exit’ is not just an Austrian cult movie, it’s a funny and at the same time disturbing and at times depressing look into Vienna in the 80’s. This is “the” movie parents in 1980’s Austria did not want their kids to see.

Viennese crook and would-be playboy Kirchhoff dreams of owning his own coffee house and having lots of beautiful women. In order to reach his goal, he is sometimes compelled to leave the straight and narrow.

Comedy, violence, sex and vandalism are the ingredients of this Austrian cult classic. Continue reading

Sohrab Shahid Saless – Grabbes letzter Sommer AKA Grabbe’s Last Summer (1980)

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Quote:
Talented Iranian director Sohrab Shahid Saless has succeeded in taking on an unusual project — the life and times of a German literary figure — and making it interesting. Christian Dietrich Grabbes lived a very short life in the first half of the 19th century and is primarily known for his satire, skepticism, basurd theater and the fact that he presaged the Postmodern movement in literature. Hannibal and Don Juan and Faust are two of his better-known works. In this docudrama, his Comedy, Satire, Irony and Deeper Meaning is featured partly because it gives a drubbing to the icons of German thought that had a stranglehold on the creative process. One memorable moment in this three-and-a-half-hour story is when the alcoholic writer is caught in the throes of delirium and comes around to see his own mother as a figure of death. The irony is that an Iranian director could capture the spirit and age of a German writer so well. —allmovie guide Continue reading

Ettore Scola – C’eravamo tanto amati AKA We All Loved Each Other So Much (1974)

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Quote:
C’eravamo tanto amati, a tribute to Vittorio De Sica, is not only about the difficult, frustrating post-World War II years of three men whose class differences overwhelm the close bond they formed while fighting for the Resistance. It is also a complex survey of thirty years of Italian cinema and its relationship to Italian history, photographed in various appropriate cinematic styles.
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Govindan Aravindan – Kummatty AKA The Bogeyman (1979)

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Kummatty is adapted from a Central Kerala folk tale about a partly mythic and partly real magician called Kummatty. Kummatty travels from place to place and entertain children with dancing, singing and performing magic. At one such performance at a village, Kummatty turns a group of children into animals. But one boy, who was changed into a dog, is chased away and misses the moment Kummatty changed the children back to their human form. The dog-boy has to wait a year until Kummatty returns to the village to get back his human form. Aravindan claimed Kummatty to be his personal favourite film. Kummatty won the State award for best children’s film. Continue reading

Yûji Makiguchi – Onna gokumon-chô: Hikisakareta nisô AKA Nuns That Bite AKA Torn Priestess (1977)

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Synopsis:
By Yûji ‘Shogun’s Sadism’ Makiguchi. Another medieval tale of barbarism amidst civilized Japan. A girl urinates right in front of two horny travelling strangers in the forest and is surprised and shocked when they suddenly attack and rape her. She runs and finds herself in one of the millions of convents populated by heroin-smoking, man-hating, cannibalistic, cult, lesbian nuns that we know so well. Any man who falls in their clutches gets the brutal treatment, and is then eaten by a mad cannibal. This super-intelligent girl is then not so sure she likes this new arrangement any better. Continue reading

Eiichi Yamamoto – Kanashimi no Beradonna AKA Belladonna of Sadness (1973)

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Belladonna of Sadness was the third and final animated feature film produced by Osamu Tezuka’s Mushi Pro studio. The studio went bankrupt two months after the film came out. The film is loosely based on French historian Jules Michelet’s La Sorcière about witchcraft and Joan of Arc. Jeanne and Jean have just been married, but Jean can’t afford to pay the marriage tax demanded by the king. As a result, Jeanne is raped by the king. To save her husband and marriage, Jeanne sells her body and soul to the devil. In return she obtains the power to save the villagers from the black death, whip them up into an orgy, and turn them against the king while he is away at war. Continue reading