Review:(Noel Megahey, DVD Times)
It all starts when Filip Mosz (Jerzy Stuhr) buys a little 8mm movie camera to film his new-born baby. Like a true enthusiast, Filip enters into the spirit of his new hobby, filming everything that moves and working on the material on a small editing suite. When he is commissioned by his boss to film a reception being held to commemorate the company’s 25th anniversary, he becomes aware of the pressures of outside expectations and even censorship. The film however gets entered into an amateur film festival and wins third prize (second prize really since none were judged good enough to win first prize!) and he soon finds himself caught up in the world of TV and film-making, helped by an attractive film producer. Suddenly he finds that his new hobby isn’t compatible with the responsibilities of bringing up a small child, nor is it compatible with the wishes of his employer. Continue reading
Set in pre- World War II era. A young man is on a strange train to see his dying father in a sanatorium. But the place is going to ruin and recalls a lot of memories from the past. He is beset by soldiers from the past, colonial black mercenaries, girls from his early life, and his parents. It is an interior adventure, with unusual atmospheric flair and extraordinary sets. Continue reading
In 1920, the anarchist Italian immigrants Niccola Sacco (Riccardo Cucciolla) and Bartolomeo Vanzetti (Gian Maria Volonté) are sentenced to death, falsely accused of a robbery and murder. Indeed they are condemned due to their political beliefs, in one of the most shameful and hypocrite judgments of the human history. Continue reading
At first glance, you might dismiss Journey Through the Past as just another sci-fi quickie. Please DON’T do that. This 75-minute, R-rated musical documentary is a probing portrait of rock star Neil Young. The film begins in 1966, when Young was still with Buffalo Springfield, and concludes in “the present”-1972, that is. Also appearing are Neil Young’s faithful companions Stephen Stills, Richie Furay, Dewey Martin, David Crosby and Graham Nash. Songs include “Only Love Can Break Your Heart” and “Heart of Gold.” The direction of Journey Through the Past is credited to one “Bernard Shakey”-who also goes by the name of Neil Young ~ Hal Erickson, All Movie Guide Continue reading
A gunfighting stranger comes to the small settlement of Lago and is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way. Continue reading
Perhaps the film is more personal for Catherine Breillat. Is it a record of her working methods during this period? Her films have always dealt with sexuality and maybe the filmmaker was simply using the medium to express her own thoughts and experiences. I love that; a great deal of why I love the cinema is the auteur theory which states the director is the author of a film; that links in an artist’s work can be found from work to work. Breillat surely qualifies, and I can see how this film influenced her later work. For example, it seems to be a precursor or even a veiled prequel to Sex Is Comedy, an infinitely more insightful look at the filmmaking process and sexual manipulation, and there’s a series of shots showing 2 characters descending a spiral staircase that she would repeat 30 years later in Bluebeard. The problem with Nocturnal Uproar is that it isn’t insightful about the cinema, it isn’t insightful about relationships, and it isn’t even honest about sex. I don’t want to sound perverted but the sex scenes in this film almost all look fake, though it is obvious that actress Laffin is being touched between her legs. The film develops into a woman’s sexual obsession for a man who toys with her, someone who may or may not have alternate intentions with his amours. This is a great subject for a film but it is arrived at a little too late.
‘Euridice lives imprisoned inside a metaphorical hell-house, in a country ruled by a dictatorship regime.
Having already served her time, she is waiting to be transferred “somewhere else”. However, the State Processor in charge of the prisoners transfers has been mocking her for days… maybe even years.
A long lost lover (Orpheus), contacts her asking to see her again. Euridice accepts, hoping that something will change yet she is also afraid of any changes.’