Plot / Synopsis
Following a mysterious decapitation (via mechanical digger) of an insurance investigator, Police Inspector Peretti is put onto the case. Slowly more people are found dead… a man supposedly commits suicide, a women is strangled, another attacked in her flat… but all the clues lead to an unsolved case of kidnapping and murder. Can Peretti find the murderer, if his major clue is a little girls drawing??? Continue reading
This film from Turkmenistan belongs to an edition of ten films from Central Asia that were shot both during the Soviet times and during the independence epoch. This collection contains 2 films of each country.
This collection was edited in 2006. It was released by the Center of Central Asian Cinematography with the financial support of “Arts and Culture” Network Program of Open Society Institute of Budapest. You will have english subtitles for each film. Continue reading
Description: On December 14, 1825 the military units of the Russian army were supposed to swear their allegiance to the new czar, Nicholas I. But the young officers, the most liberal-minded people of their time, who abhorred the terrors of serfdom, decided to raise their regiments against the autocracy and bring democracy to the country. That was a great heroic feat of the best sons of Russia. However, the revolt had been brutally crushed. Some of its inspirators were executed, many sent to hard labor in Siberia. Following the convicted officers to Siberia were their wives who had left their aristocratic families and comfortable lifestyles. The film is dedicated to those remarkable Russian women. Continue reading
“James Caan as a New York college professor? Somehow it works in Karel Reisz’s interesting, mostly forgotten 1974 drama The Gambler. A quintessential ’70s film with its non-innocent protagonist swimming in a sea of sleaze and self-destructing when he should know better, The Gambler is one of cinema’s best depictions of a person’s addiction to gambling. That may seem like an inflated statement, but gambling addiction hasn’t really been a subject of film interest, at least not in the same vein as drugs or alcohol. And yet its milieu is tailor-made for drama, comedy, and tension. With that, The Gambler is a crime movie wrapped in an addiction movie wrapped in an existential void, during which, fittingly, Caan teaches his students about Dostoyevsky, one of our first existentialists (without knowing the word yet) who had a gambling problem himself. He even wrote a semi-autobiographical work about it called (again, fittingly), “The Gambler”. Like Dostoyevsky, Caan’s character, Axel, knows what he’s doing and can even discuss his psychology and madness in an offhand manner (as he does to his class) while still jonesing for his next win or lose. Continue reading
About a boy…
6 September 2011 | by inceh85 (New Zealand)
The story starts in a dark atmosphere, which is located slums of Istanbul in early 70’s. During the movie athmospehere gets darker and darker and at last finishes in pitch black. This is quite interesting because in that period as a result of Turkish economy & life standards people would like to see classical comedy or happy endings at cinema contrary to this kind of desperate dramas.
Its about a little boy whom realizes that he has a leukemia whether his brother tries to hide the fact. They believe that they should make the boy really happy in his last days. This is also important because, fact that they are poor they never think about cures. Continue reading
Sohrab Shahid-Saless was born in Tehran in 1943 and lived in Tehran. He studied film in Vienna and Paris. After returning to Iran, he first worked for the Ministry of Arts and Culture, where he made 22 films. In 1976, he left Iran for Germany, where he worked as a filmmaker until 1991, then moving to Chicago. He died in Washington DC in June 1998.
In his first feature, the milestone film A Simple Event (1973), he describes the everyday life of a ten-year-old boy living in a small town with an ill mother and a father struggling to make a living smuggling fish. Continue reading
Mathieu returns home. He tells no one of his encounter with the strange woman. He goes back to his studious but airless life in the archives of a provincial town, cataloging several centuries of births, marriages and deaths. Days later, he goes back to the farmhouse in the woods only to discover the mysterious woman lying in an upstairs room deliriously ill. He recklessly rushes back into town and returns with medicine and food. She recovers. Emboldened by his restorative powers, Mathieu teaches her his name and, realizing she doesn’t comprehend him, he calls her “Belle.” Continue reading