Jean-Luc Godard – Je vous salue, Marie AKA Hail, Mary (1985)

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In this contemporary retelling of the birth of Christ, the Virgin Mary is a gas station employee and Joseph her taxi-driving boyfriend. Mary is an ordinary teenager playing basketball, but who vows to maintain her chastity. Following a warning from an avuncular angel, a confused Mary unexpectedly falls pregnant and is forced to wed Joseph. He in turn must love his virgin bride from a distance, revering her without touching her. Continue reading

Jean-Luc Godard – King Lear (1987)

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Description: Everything returns to normal after Chernobyl. That is, everything but art. Most of the great works are lost, and it is up to people like William Shakespear Junior the Fifth to restore the lost artwork of the human race. He finds strange goings-on at a resort enough to remind him of all the lines of the play, dealing with mob boss Don Learo and his daughter Cordelia, a strange professor named Jean Luc-Godard (sic), who repeatedly xeroxes his hand for no particular reason. He is followed by four humanoid goblins that keep tormenting Cordelia. There is also the gentleman whose girlfriend, Valerie, isn’t always visible. Then the film is sent off to New York for Mr. Alien to edit. Continue reading

Jean-Luc Godard – Lettre à Freddy Buache (1981)

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Quote:
This short film is Godard’s message to the people of Lausanne, specifically Freddy Buache, giving his reasons why he will not make a film about their town’s 500th anniversary.

First Godard expresses his frustration with the town. When attempting to film on the side of a highway, they were forced to stop filming by the local authorities. The officer said they could only stop for an emergency. Godard replied that it was an emergency because the light was perfect. The officer wasn’t understanding, and Godard complains that it could take 5 years of shooting to get the necessary lighting again. Continue reading

Jean-Luc Godard – Passion (1982)

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Synopsis:
On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is stuck in France making a film for TV. He’s over budget and uninspired; the film, called “Passion,” seems static and bloodless. Hanna owns the hotel where the film crew stays. She lives with Michel, who runs a factory where he’s fired Isabelle, a floor worker. Hanna and Isabelle are drawn to Jerzy, hotel maids quit to be movie extras, people ask Jerzy where the story is in his film, women disrobe, extras grope each other off camera, and Jerzy wonders why there must always be a story. Continue reading