Frederick Wiseman was allowed to make the first documentary about La Comedie-Francaise, the French national theater and the oldest continuous repertory company in the world, founded in Paris in the late 17th Century. In the company’s prehistory, the Illustre Theatre was co-founded by Paris-born upholsterer’s son Moliere (1622-73) in 1643. Moliere’s company left to tour the provinces in 1645, and when they returned to Paris in 1658, the king granted a theater in the Louvre, the Theatre du Petit-Bourbon. This troupe became the core for the union of several companies into a new theater, officially titled Comedie-Francaise in 1681. Continue reading
On December 28, 1895, the Lumiere brothers demonstrated their cinematograph to 33 people in Paris. Despite Louis Lumiere’s notorious declaration that “the cinema is an invention without a future, ” the occasion marks the birth of the movies. Written to coincide with the 100th anniversary of this seminal event, “Encyclopedia of European Cinema” is a celebration of the scope and variety of film in all European countries. Compiled under the auspices of the prestigious British Film Institute, this uses the expertise of over 30 international authorities on the subject. Continue reading
“A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography…” Continue reading
Master Taiwanese director Edward Yang spins this intricate and complex yarn about life’s everyday crises. The film focuses on N.J. Jian (Wu Nien-jen), a noted writer/director in his own right), his wife Min-min (Elaine Jin) and their two children, teenager Ting-ting (Kelly Lee) and young Yang-yang (Jonathan Chang). Their middle-class existence seems stable and secure until a series of incidents throws all of their lives out of kilter. The misfortunes start at the wedding of Min-min’s ne’er-do-well brother A-Di (Chen Xisheng), when his jilted ex-girlfriend Yun-Yun (Zeng Xinyi) bursts into the proceedings and lambastes the bride. Upset by the ruckus and feeling unwell, Min-min’s mother goes home early only to suffer a stroke and slip into a coma. After the wedding, N.J. runs into his first love, Sherry (Ke Suyun), who is married to a rich American. This chance encounter shakes N.J. to his very foundations, forcing him to reevaluate his life. At the same time, N.J.’s computer company deliberates on whether or not to collaborate with a renowned Japanese games designer, Ota (Issey Ogata), sending N.J. to Japan to negotiate a contract. Confronted by her mother’s coma, Min-min also takes stock of her life and finds it lacking. On the brink of a nervous breakdown, she suddenly joins a religious retreat. Continue reading
A man who has spent his life running away from his past. He is forced to finally deal things that he has left unresolved. When fate puts him on a collision course with the life that he reluctantly walked away from.
Voyager was directed by Volker Schlondorff, who’s other notable films include The Tin Drum and Death of a salesman. The screenplay for Voyager was written by Rudy Wurlitzer (Two-Lane Blacktop, Pat Garrett and Billy the Kid). The screenplay was adapted from Swiss author Max Frisch’s novel ‘Homo Faber’. Continue reading
In Moroccan Chronicles, set in the ancient city of Fez, a working class mother, abandoned by her husband who has emigrated to Europe, tells three tales to her just-circumcised ten-year-old son. In the first, Smihi re-stages the Marrakech market scene from Hitchcock’s The Man Who Knew Too Much, in which a monkey trainer makes children dance for tourists. In the second, two lovers meet on the ramparts of Orson Welles’s Essaouira locations for Othello and speak of their own forbidden love. And in the third, set in Smihi’s home town of Tangier, an old sailor dreams of vanquishing a sea monster: the Gibraltar ferry that connects Europe to Africa. Continue reading
As the title suggests, this dramatised documentary about the eccentric Canadian pianist Glenn Gould is broken up into thirty-two short films (mirroring the thirty-two part structure of Bach’s ‘Goldberg Variations’, the recording that Gould made famous), each giving us an insight into some aspect of Gould’s life and career. Out of respect for the music lead actor Colm Feore is never seen playing the piano, merely reacting to Gould’s own recordings, which are extensively featured Continue reading