Glenn Gordon Caron – Wilder Napalm (1993)

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Wilder and Wallace are brothers and pyrokinetics. Ever since childhood they’ve been able to start fires with their minds but following a tragedy in which they accidentally killed a man, the brothers have grown up very differently. Wilder has become a regular 9-5 workaday joe but Wallace performs his feats with a traveling circus. When the circus comes to Wilder’s home town Wallace starts coming on strong to Wilder’s wife, Vida who, ironically, is a slight pyromaniac. Written by Stefan Halldorsson Continue reading

Nathan Schiff – Vermilion Eyes (1991)

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“PAndroid” wrote:
I originally just got this film for it’s rarity as an online friend of mine managed to acquire a copy through a trade. When I put the VHS into the player I was presented with challenging slice of art-house genius that greatly exceeded my pretty much non existent expectations. Like the great works of lynch and jodorowsky it is a completely unstreamed celluloid capture of an artists consciousness,abandoning logic to assault the viewers senses with the directors own unique vision. This isn’t like any of other schiffs other films, which whilst highly enjoyable are ultimately extremely tacky gorefests. This is a stunning observation of a lonely mans descent into being unable to decipher relaity and fantasy. Words cannot do it justice in the slightest. It one of the most different and personal films I have ever seen, layered in gruesome yet poetic psychosexual imagery to portray the main characters(who remains nameless throughout the film)ever slipping mask of sanity. Whilst very open ended I partially see the film as a commentary on perception and how we see things. It simply defies genres and conventions, this is true art film-making. Made from real raw emotion and a daring mind it is perhaps unsurprising it has not seen an official release ever. But for anyone who likes bold underground cinema this is an absolute must see, and possibly the most underrated film of all time. A sublime,macabre masterwork of dream logic cinema. Continue reading

Michael Winterbottom – Welcome To Sarajevo (1997)

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All Reviews.com

‘Welcome to Sarajevo debuted at 1997’s Cannes Film Festival, where it received numerous plaudits but no awards. This impeccably-crafted movie is a daring and powerful piece of work, not only for its willingness to film an unpopular subject, but for the unique perspective it offers, and it stands proudly alongside Winterbottom’s other films. Hopefully, neither the title nor the subject matter will deter viewers from experiencing this memorable motion picture.’ Continue reading

Shinya Tsukamoto – Tetsuo II: Body Hammer (1992)

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Plot: A Tokyo Businessman with his wife and son are walking the high street when his son is kidnapped by a group of street thugs. While in pursuit of his son the father is shot by one of the thugs with a strange device. After the thugs oddly return his son, the father starts to notice odd changes with his body that occur in moments of anger. Only to be terrorized constantly by this, the father decides to locate the gang and kill them all. Continue reading

Gyula Nemes – Papagáj AKA Parrot (1999)

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Surrealist short feature about common tricks of uncle Pepin and the young Bohumil Hrabal. The harum-scarum young man pays his looney uncle a visit and his life changes at once. We can find out, where the snowmen lives in summer, what Franz Joe’s favorite food was, how to sell one half of a pair of shoes and fly in a cage. Continue reading

Chantal Akerman – Tous les garçons et les filles de leur âge…: Portrait d’une jeune fille de la fin des années 60 à Bruxelles (#1.3) (1994)

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Dave McDougall at MUBI.com

Last Monday night, MoMA played two installments from the series “Tous les garçons et les filles de leur âge…”, a series of one-hour television episodes “in which French directors were asked to contribute films based on their recollections of adolescence” (BFI). The first episode shown was Chantal Akerman’s Portrait of a Young Girl at the End of the 1960s in Brussels.

Akerman’s episode is an achievement of an entirely different level. It moves beyond being one of the great coming-of-age films; it is simply one of the great films. A moving, multifaceted, and magical hour, presented with honesty and subtle artistry. Continue reading