From an interview about this film, conducted by Serge Toubiana,
Is Amsterdam Global Village intended to be the portrait of a city? Can one in fact portray a city?
– I don’t think you can portray anything, but you can build a city through film, using both fictional and direct cinema techniques, which I purposely blend. The constructivist concept is very important to me. At the end of the film, there is a dedication to my friend, the writer Bert Schierbeek, who died this year. Bert Schierbeek wrote: “I always felt that life was made up of 777 stories going on at the same time.” So I thought we could do 777 four-hour films about Amsterdam, even if it’s a small city. But you have to make choices, take risks. When you film you have to disregard certain realities in order to recreate something physical on the screen. In that way, it’s possible to portray a city. Continue reading
Description: Paul, the narrator, has a rendezvous at noon on a sweltering Sunday. The person he has invited is none other than the great Portuguese poet Fernando Pessoa… who is no longer among the living. It leads to a whole series of encounters between living Lisboans… and phantoms of the past, as the barriers of conventional time fall away to allow the people of today and yesterday to meet and communicate. Continue reading
Paul (Dominic Guard) is a journalist who is up to date on the latest horrors of the modern world and is heartsick about them. He has a wife (Valeria Bruni-Tedeschi) and a steady job but leaves both of them suddenly for parts unknown. His wife is worried about him, and she is angry that he left without a word. She is sufficiently concerned to seek out one of Paul’s former flames (Angela Molina) for information about where he might have gone. Soon, this girl has joined her in a quest to find Paul. They finally discover him in a Spanish resort town on the coast, moodily riding his motorcycle over the countryside and sharing philosophical musings with Antonio (Francisco Rabal), a magnetic older man who fought against Franco in the Spanish Civil War. Romantic and sexual complexities brought on by the rivalry between these two attractive women add to Paul’s malaise. ~ Clarke Fountain, All Movie Guide Continue reading
JLG/JLG (1995) Jean-Luc Godard stars in this film as a fictional character of his own creation. JLG muses about in his home in Rolle, Switzerland in the dead of winter. He suffers the rude interruption of critics and the cheeky services of a pretty maid while contemplating the end of western culture, cinema, and himself. A busy day… but still with time for tragedy, tennis and television. Continue reading
Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country’s history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall. Written by Steve Richer Continue reading
Godard’s meditation on things Russian and cinematic, featuring JLG himself as “The Idiot” My own not very good quality VHS recording from a NTSC TV broadcast, but I know of no other source for this. With some English narration and French dialog with subtitles. Video collages of Russian films, in the style of Histoire(s) and other Godard films of this period. Continue reading