During a traffic jam, a man flirts with another driver.
Jos Stelling (1945) made his debut as a director with Mariken van Nieumeghen in 1974. The film was selected for Cannes in 1975. Since then he has been writing and directing eight feature films. For his short film The Waiting Room (1996) Stelling was awarded a Golden Rose (Press Award) in Montreux, a Golden Gryphon in St. Petersburg as well as his fourth Gouden Kalf (GoldenCalf, the Dutch film award). Continue reading
A movie from Morroco about street kids in casablanca.
Some voices from IMDB.
This movie brings back memories of growing up in morocco, although the movie puts you in the front seat of the realities in real life much of this goes ignored by the rest of the populace. The feeling is of numbness to the harsh realities that these vagabonds have to go through. Most of these kids never make it to adulthood and if they do they are seriously psychologically ill. After watching this movie you will undeniably feel resentment to society and blame yourself for being part of it. Overall I think the movie was well directed, the characters were AMAZING (I hope that they get some type of recognition) some of the scenes are beautifully shot. Vote 10+ from my part Continue reading
Mike Leigh’s brilliant and controversial Naked stars David Thewlis as Johnny, a charming, eloquent, and relentlessly vicious drifter on the lam in London. Rejecting all those who would care for him, the volcanic Johnny hurls himself into a nocturnal odyssey through the city, colliding with a succession of the desperate and the dispossessed, and scorching everyone in his path. With a virtuoso script and raw performances from Thewlis and costars Katrin Cartlidge and Lesley Sharpe, Leigh’s panorama of England’s crumbling underbelly is a showcase of black comedy and doomsday prophecy, and was the winner of the best director and actor prizes at the 1993 Cannes Film Festival. Continue reading
A romanian old man goes downtown to call his son in US from a public phone but….
Mike Leigh’s first film after his international success Secrets and Lies was this comedy-drama about two former college roommates spending a weekend together — the first time they’ve seen each other in six years. As teenagers, Annie (Lynda Steadman) was painfully shy, terribly nervous (so much so that it manifested itself in a severe facial rash) and in desperate need of self-esteem. Hannah (Katrin Cartlidge), on the other hand, had strong opinions about everything and a habit of blurting them out regardless of the hurt they would inflict upon others. Years later, Annie has gained a certain confidence and poise (and her face has cleared up), but she’s yet to learn how to relax, while Hannah is still incapable of letting a quiet moment speak for itself. As they spend the weekend hunting for apartments (Annie’s looking for a new place to live), they’re constantly reminded of their past together — how far they’ve come, and how far they still have to go. Marianne Jean-Baptiste, who won acclaim for her role as the daughter given up for adoption in Secrets and Lies, co-wrote the musical score for this film. Continue reading
from all movie:
A group of gay and lesbian teen characters addresses the camera directly in this pseudo-documentary about the travails of queer adolescence in early-’90s Los Angeles. Andy (James Duval), who hides his sensitive side beneath a nihilistic exterior, really yearns to find a nice boyfriend and settle down the way his pal Steven (Gilbert Luna), an aspiring filmmaker, has with boyfriend Deric (Lance May). Meanwhile, their sex-crazed friend Tommy (Roko Belic) has been kicked out by his parents for being homosexual. The only seemingly carefree members of this adoptive family are Michele (Susan Behshid) and Patricia (Jenee Gill), a lesbian couple whose desire to raise a child together leads the boys to participate in a group sperm donation during one of the film’s many scenes of these characters just hanging out and rapping about AIDS, fag-bashing, homophobia, and alienation. In-between polemicizing and posing in front of Steven’s camera for interviews, Andy meets college student Ian (Alan Boyce), who seems, at least for a while, to be Mr. Right. Just as Andy and Ian’s relationship begins to blossom, Steven and Deric’s starts to fall apart, but nothing’s for certain in director Gregg Araki’s angst-ridden world. Framed as 15 vignettes, each one introduced by an ironic intertitle and many of them interspersed with graphic sexual and commercial images, Totally F***ed Up marked the end of Araki’s no-budget phase; the glossy, gaudy Doom Generation would follow two years later. Continue reading
Winter is never-ending in Aleksei Guerman’s impenetrable film ”Khroustaliov, My Car!,” a nearly two-and-a-half hour absurdist nightmare of life in the Soviet Union during the final days of Stalin’s rule. Snow falls in almost every scene of this starkly grim, black-and-white movie, which follows the triumph, fall from grace and hasty rehabilitation of a hulking Red Army general and brain surgeon named Yuri Glinshi (Yuri Tsourilo). Processions of black government vehicles are forever materializing like ominous phantoms through the curtains of snow that drift over a dilapidated town decorated with gleaming white statues of the beady-eyed, mustached Soviet dictator. Continue reading