Description: When Konstadinos misses a flight and returns home unexpectedly, he finds his wife in bed with his best friend. Shocked, he leaves the house without letting them know what he saw and begins wandering in the streets of Athens… Continue reading
Most of us have been in the situation where we’ve had one too many cups of coffee, there are the jittery side effects, the quickened speech, the racing heartbeat—but that’s all in a day’s work for Winter, the mono-named star of Starbucking. Winter’s mission is to visit each and every official Starbucks in the world, as of this date he’s been to 6,939 stores, and this entertaining documentary allows a peek at his borderline manic journey and his optimistically caffeinated world.
Hate them or love them, for a lot of people Starbucks is part of the daily routine; you stop in to pick up coffee, maybe grab a newspaper or a muffin, and then head to the office. But for Winter, Starbucks sort of is the office. For the past 10 years he’s trekked all over the world—when he’s on the road he literally lives out of his car, even sleeping in his small Honda hatchback—in a seemingly never-ending attempt to reach his goal. He seems to realize it’s a process that is likely to last his lifetime, but he is completely undeterred.
Laos: the most bombed country, per capita, on the planet. Australian bomb disposal specialist Laith Stevens has to train a new young “big bomb” team to deal with bombs left from the US “Secret War”, but meanwhile, the local children are out hunting for bomb scrap metal. This timely story is terrifying and yet filled with eccentric characters and moments of humour, vividly depicting the consequences of war and the incredible bravery of those trying to clear up the mess.
Little Shop of Horrors, Russian Style
By Oleg Liakhovich The Moscow News
On the heels of the XXVI Moscow International Film Festival came an event even more pompous and widely publicized – the premiere of a movie meant to spark a revival of Russia’s popular cinema while giving Hollywood a battle royale on its own terms
Night Watch (Nochnoy Dozor in original Russian) depicts the on-going struggle between the magical forces of good and evil in present-day Moscow. The movie was eagerly awaited by fans and became an object of an intense advertising campaign in all media. Its US $3mln budget – an incredible sum for a local movie – and plentiful special effects, also a novelty for Russian cinema with its established traditions of inexpensive quality dramas and solid adaptations of literary classics, were to make Night Watch Russia’s equivalent of an American summer blockbuster. The producers actually went as far as officially calling it “the first Russian blockbuster” long before it had the chance to appear on screen. Even Russia’s own Oscar winner and self-styled national sage director Nikita Mikhalkov, while admitting that the film “wasn’t his thing”, said that it was “cool” and called it Russia’s “answer to Quentin Tarantino”. Serious praise indeed – after all, only a dirty mind would suspect Mikhalkov of still being sore at old Quentin for “stealing” his Palme d’Or in Cannes back in 1994.
Lightsaber, Anyone? Continue reading
This documentary is highly recommended, as it somewhat manages to keep a neutral point of view on this most controversial issue of post war german history.
This documentary by German filmmaker Andres Veiel takes a look back at German politics of the ’70s and ’80s, a troubled era when the government was engaged in a war against the leftist movement known as the Red Army Fraction. The conflict is addressed by focusing on the lives and deaths of two men whose fates became tragically intertwined in 1989. Alfred Herrenhausen was a high-ranking member of the Deutsche Bank who was killed by a Red Army Fraction bomb attack. Wolfgang Grams, a radical activist, was a major suspect in the attack. Four years later, he was tracked down by police and killed. Through interviews with relatives, friends, and colleagues of both men, a clear picture of the times emerges. While the film makes no attempts to place blame or assign guilt, it does raise many questions about German politics today. ~ Connor McMadden, All Movie Guide
In Chile, at three thousand metres altitude, astronomers from all over the world gather together in the Atacama desert to observe the stars. The desert sky is so translucent that it allows them to see right to the boundaries of the universe.
It is also a place where the harsh heat of the sun keeps human remains intact : those of the mummies, explorers and miners. But also the remains of the dictatorship’s political prisoners.
Whilst the astronomers examine the most distant galaxies in search of probable extraterrestrial life, at the foot of the observatories a group of women are digging through the desert soil in search of their disappeared relatives… Continue reading
From Time Out London
Slow, portentous, absolutely bloody miserable, the fiercely independent Fred Kelemen’s earlier work was the veritable essence of arthouse gloom, so much so that it often prompted unintentional giggles. After a six-year break, his latest marks a positive shift, packaging his deep-rooted existential angst within a much more involving narrative framework. Shot in lengthy takes in digital black-and-white, matching a sonic backdrop of industrial noise against grimy Riga locations, the presentation is still somewhat self-consciously doom-laden, but this time there’s an effective storyline to draw the viewer into Kelemen’s world.