Aziz works as an assistant in a public library. He is alone, he does not have many friends but he is not really embittered against life. He just seeks an emotional refuge in someone who will care about him. Once he has new neighbors: Secil and her daughter, they put some color in his monotone life. The little girls dreams trigger some real life events. The trio will try to change the fate.
Prensesin Uykusu is a smiling and optimistic drama. Continue reading
AIDS doctor Antonia’s husband is killed by a car. She gets depressed until she learns he had been cheating on her with a man. Following her newly born curiosity for life, she goes to see her husband’s lover, Michele, and finds a huge apartment that he shares with gay and transgendered friends, including a Turkish immigrant and a prostitute. Antonia is reluctant to tell these people of her relationship to the dead man, but needs prompting to move on to a new phase of her life. Written by Sujit R. Varma Continue reading
Recently widowed samurai Kanjūrō (Nomi Takaaki) puts down his sword and abandons his master, with nine-year-old daughter Tae (Kumada Sea) in tow. Now wanted for desertion, Kanjūrō is captured by a rival lord (Kunimura Jun), who makes an unusual offer. Kanjūrō will be released if he can bring a grin to the lord’s son (Shimizu Shūma), who hasn’t smiled since his mother’s death. If Kanjūrō can’t succeed within thirty days, he must commit seppuku. With the help of his jailers — and some harsh reinforcement from his daughter — the humorless Kanjūrō devises comically desperate (or desperately comic) methods to save his skin and crack the son’s stony exterior. Though more sentimental than writer/director Matsumoto Hitoshi’s previous films (Big Man Japan, Symbol), Scabbard Samurai is unmistakably in the same spirit, with deadpan absurdism and bizarre stunts recalling the variety shows that made his name.) Continue reading
Bored, horny, and frustrated, a woman begins an affair with a teenage boy. Continue reading
A street musician meets the love of his life again; two drunk men have long drinks and seafood for breakfast; a man cooks, cooks and cooks for a woman that never shows up; two men love each other but they hide; a cooker dreams of being a singer; a young woman wants what a man does not give her while a waiter is dying for her; a Macedonian is lost in Santiago suffering the lack of love; an elderly couple who have already said everything to each other have breakfast, lunch and dinner in silence. All these stories meet in “18 meals” during a single day of fiction, a film of emotions served around a table, a journey along the feelings of the most universal of all fights: the search for happiness. Continue reading
A promise, an old, destroyed horse head violin and a song believed lost lead the singer Urna back to Outer Mongolia. Her grandmother was forced to destroy her once loved violin in the tumult of the Chinese Cultural Revolution. The ancient song of the Mongols, “The Two Horses of Genghis Khan”, was engraved on the violin’s neck. Only the violin’s neck and head survived the cultural storm. Now it is time to fulfill the promise that Urna made to her grandmother. Arrived in Ulan Bator, Urna brings the still intact parts of the violin – head and neck – to Hicheengui, a renowned maker of horse head violins, who will build a new body for the old instrument in the coming weeks. Then, Urna leaves for the interior to look there for the song’s missing verses. But she will be disappointed. None of the people whom she meets on the way appears to still know the old melody of the Mongols. Written by silke Continue reading
Freedom’s Fury is a documentary about the Hungarian water polo team of the 1956 Melbourne Olympics and the the effects of the 1956 Hungarian Revolution on the lives of the team members, with their infamous match with the Soviet team in the main focus.
The film is made up of a series of archive and recreated footage and short snippets of interviews with people directly or indirectly involved with the revolution or water polo. The material discussed is perhaps a little too extensive to fit into a ninety-minute-long documentary, but the interviews with the surviving members of both Hungarian and Soviet teams make Freedom’s Fury a memorable viewing experience. Continue reading