If not as dense as Godard’s Masculin Féminin, Wolfgang Becker’s Good Bye, Lenin! is an equally playful look at the effects of American globalization abroad. Christiane Kerner (Katrin Saß) is a Communist party supporter who falls into a coma after a heart attack and sleeps through the fall of the Berlin Wall and the subsequent invasion of America’s fast food joints. Looking to spare his mother further injury, Alex (Daniel Brühl) concocts an elaborate plan to convince the bedridden woman that Communism is still very much alive: He videotapes fake news programs to explain the “Trink Coca-Cola” banner outside her window and makes her believe that her favorite brands of food haven’t been replaced by cheap—but apparently similar tasting—knock-offs from Holland. Continue reading
A new housemate, Isabel, a lesbian, teaches Xavier about the moves and touches that most appeal to women and he tries them out on Anne-Sophie, the neurologist’s wife who eagerly submits to his advances. The film, however, has a larger theme: learning to discover our true self, not the one parents or teachers expect us to be. The experience allows Xavier to get in touch with his own creative energies and reminds him of his childhood longing to become a writer. While L’Auberge Espanole never explores any character in much depth and the camera tricks can become tiresome, it has intelligence, fun, and exuberance and, with Barcelona scintillating in the background, rekindles the time when life was an adventure of discovery. Continue reading
Three stories about a man and a woman, all three using the same actors. Three years: 1966, 1911, 2005. Three varieties of love: unfulfilled, mercenary, meaningless. Continue reading
Another romanian short student film on 35mm. Won several international prizes.
A lovely piece of film-making from Romania!, 18 March 2004
Author: michaelwalters56 from New York, U.S.A.
I saw this film at the NYU International Film Festival in New York and thoroughly enjoyed every minute of it! The story focuses on the lack of communication between a working-class family that live on C block and combines gritty drama with terrific unclichéd comedy. The story is so clever and entertaining and by the end it resolves itself with such charm. It is full of subtle messages about life, family, communication and relationships. Great acting from the three main actors and a wonderful sense of pacing from the director. This really is a lovely piece of film-making from Romania and well deserving of it’s award at the festival. Continue reading
“No water, no sex.” Whereas the women in Aristophanes’ classic Greek comedy Lysistrata withheld sex from their men to end a war, the women in the village of Absurdistan concoct a similar plan out of necessity in order to get their community’s water pipe fixed. However, unlike the women of Lysistrata, the results of their decision don’t end a war but rather begin one of epic proportions between the sexes complete with the usual devices of espionage, sabotage and tested loyalties. Continue reading
A beautiful tissue-paper piece of art that falls to shreds should you so much as blow upon it, Dorris Dörrie’s Cherry Blossoms is the kind of film that dares you to laugh at it. There are heartfelt declarations of love and elaborate avant-garde dance routines, not to mention a major plot point about a mountain appearing from behind a veil of mist. Cynics: Don’t venture within one hundred meters. Romantics: Run, don’t walk, to the theater. Everybody else: Approach with caution.
Cherry Blossoms is a sentimental work about Rudi, a stick-in-the-mud German civil servant whose life is upended upon the sudden death of his wife, Trudi, whom he realizes too late he never quite knew. Yes, tears will be shed. But since this is a German film, much of which is set in Japan, the crying will be rather circumspect, and horribly embarrassed. Continue reading
When Rainer Wegner, a popular high school teacher, finds himself relegated to
teaching autocracy as part of the schools project week, hes less than enthusiastic. So are his students, who greet the prospect of studying fascism yet again with apathetic grumbling: The Nazis sucked. We get it. Struck by the teenagers complacency and unwitting arrogance, Rainer devises an unorthodox experiment. But his hastily conceived lesson in social orders and the power of unity soon grows a life of its own. Continue reading