Two minutes in which Carax attempts to reach the essence of Art : sculpture, Cinema, actress, music, gallery, myth…
a delicious mixture;
Godard influence is still here and will always be with Carax;
The short seems like the continuity of the movie Holy Motors, with always the small frontier between reality and Art. Continue reading
Balibar, well-known as an actress and singer, left none of her talents unused in her directing debut. In this eclectic homage to Greek tragedy, Balibar and Léon are free of any convention. With a cameo by Barbet Schroeder.
Jeanne Balibar and Pierre Léon roam in tourist outfits through Paris and prepare a play with a producer who keeps changing her clothes. In a parallel world, another layer if you wish, actors rehearse their texts for a Greek tragedy on the beach at Deauville and at prominent Parisian locations. It is the story of Electra, probably a rather inefficient character, one who perseveres and refuses to give up the battle against injustice.
This absurd, slightly surrealist and occasionally humorous film looks like a theatre performance with its solemn dialogues and mise-en-scène issues. The makers, the actress Balibar and filmmaker Léon, however also use the medium by inserting screenshots of business e-mails – reflections on their plans. In addition, Balibar is a singer and she sings the texts as if the e-mails were edifying lieder. Electra, for Instance is, as one of the characters puts it, a true ‘culture souq’.
Fernando Trueba, one of the most prestigious filmmakers in Spain, has set his latest film somewhere in occupied France in the summer of 1943, not far from the Spanish border. An old renowned sculptor, tired of life and mankind?s folly, rediscovers the desire to work and sculpt his last piece thanks to the arrival of a young Spanish woman who has escaped from a refugee camp. “The lovely and poignant drama ‘The Artist and the Model’ stirringly presents art, life and death as one irrevocably tangled trio” (Los Angeles Times). “[Trueba and Carriere] imbue the material with genuine feeling-exploring the melancholy of waning days and a defiantly naive belief in artistic transcendence. Continue reading
Jodorowsky’s Dune is a 2013 American documentary film directed by Frank Pavich. The film explores Chilean-French director Alejandro Jodorowsky’s unsuccessful attempt to adapt and film Frank Herbert’s 1965 science fiction novel Dune in the mid-1970s.
Juraj Lehotský’s riveting feature debut is about a troubled 15-year-old named Ela (electrifiying newcomer Michaela Bendulová) sent to live in a correctional facility. Forced there by her mother and cut off from the outside world, she keeps to herself, preferring to spend her time in solitude writing letters to her boyfriend. After escaping during New Year’s celebrations, she moves in with him, in the garage below the train tracks he calls home. Her life soon moves in unexpected directions, and, after a series of unpredictable events, Ela faces a life-changing decision. An official selection at the Toronto International Film Festival, Miracle is intense, daring filmmaking. Continue reading
To Baltimore locals, the 12 O’Clock Boys are hooligans – a group of urban dirt-bikers that perform death-defying stunts at excessive speeds through traffic and impressively evade the hamstrung police, who must adhere to a no-chase policy to maintain public safety. Yet they are heroes to Pug, a bright, young adolescent living in the city’s dangerous Westside neighborhood with his charismatic mother Coco, extended family, and a menagerie of animals to which he tends in his long-standing hope to be a veterinarian. Yet as his obsession with the 12 O’Clock Boys grows, his desire to join the bikers begins eclipsing everything else in his life, much to Coco’s dismay. Filled with stunningly kinetic footage that puts the viewer on up-close ride-alongs with the bikers, 12 O’CLOCK BOYS provides a compelling and personal story of a young boy and his dangerous, thrilling dream. (c) Oscilloscope Continue reading
Premiered at Toronto Film Festival, UFO In Her Eyes is a cinematic adaptation of her most recent novel of the same title. The film stars Shi Ke and Udo Kier and is a political metaphor recounted through the phantasmagoric transformation that befalls a small Chinese village after an alleged UFO sighting. Inspired by Soviet cinema, Xiaolu Guo dedicated this film to Soy Cuba, a 1964 Soviet-Cuban film directed by Mikhail Kalatozov. The movie’s score is composed by the Somali-Canadian musician Mocky and produced by Turkish-German filmmaker Fatih Akin. It received the Public Award at Milan 3-Continental Film Festival 2013. Continue reading