Jenny is seventeen and dreams of becoming a champion synchronised swimmer, but her carefree adolescent life in Ostia, a coastal province of Rome, is shaken by the sudden death of her mother. With a sick father and a nine-year-old brother to look after, Jenny is forced to move to an isolated mountain settlement in the middle of Abruzzo. Soon, she begins to face up to and slowly bear the weight of these responsibilities, while at the same time never quite losing sight of this desire to run (or indeed swim) in the direction of her dreams. Continue reading
Jaded by the “incestuous, New York, socialite sh_t” that sells at prominent art galleries, Nate embarks on a quest for a more authentic brand of contemporary art. When a coked-up YouTube search leads to a music video from Delawarean Goth rappers Young Torture Killers, an Insane Clown Posse knock-off, Nate knows he’s found his subjects. He soon drags his friend-with-benefits Bernadette to rural Delaware to shoot the group playing in their parents’ basement. To “immerse himself” in the group’s culture and add an extra layer of realism to his work, Nate befriends the rappers and makes return trips to get to know them. But as his relationship with group develops, he becomes increasingly aware that, while you can take the boy out of the art world, you can’t take the art world out of the boy. Continue reading
The winter of 1917, the North-East front, the final clashes of the Great War. An Italian stronghold situated at 1800 metres above sea level, on the Asiago plateau, described in the novels of Mario Rigoni Stern. It’s snowing everywhere; the Austrian trenches are so close that you can hear the enemy soldiers breathing.
A hundred years since the outbreak of World War I, maestro Ermanno Olmi describes with Torneranno i prati his vision of a conflict that cost the lives of 16 million human beings, just as it was brought back to him by the memory of his father, called to arms at 19 years of age, to find himself within the bloodbath of Carso and Piave. A drama that scarred his youth and the rest of his life, just like millions of others. Continue reading
The best movie that I’ve seen so far at Cinequest is the French thriller Lead Us Not Into Temptation. A middle-aged married man does a good deed for a beautiful young woman and finds himself the pawn in a dangerous game. Inventively constructed, we see the story from the perspective of the guy, then from the young woman’s point of view and finally through the prism of another character. Unlike in Rashomon, we don’t see different realities, but, as secrets are revealed, we finally understand the whole picture. It’s a brilliant screenplay by writer-director-producer Cheyenne Carron. In the young woman, Carron has created a character who is both predatory and damaged but who can act charming, vulnerable and sexy. The story hinges on actress Agnes Delachair’s ability to play that complex role – and she delivers a captivating performance. Continue reading
In a striking and courageous lead performance, Angeliki Papoulia plays Maria – a woman who started her adult life with the best of intentions but, ten years later, feels her world falling out from under her.
Unwilling to reconcile with a reality of unreturned care, lost dignity and a broken-down desire to live, Maria attacks. She attacks herself, her past, the people she loves, her country and the perception of her sex in a relentless battle to find truth.
Only a day before, she was a caring mother, a loving wife and a responsible daughter. Today, she has gone rogue… Continue reading
Did you know that God is alive and lives in Brussels with his rebellious daughter and nagging wife? An off-the-wall Belgian comedy offers a refreshing new perspective on the Biblical tradition.
God exists! He lives in Brussels. He’s a real bastard, odious with his wife and daughter. We know a lot about his son, but very little about his daughter. Her name is Ea and is ten years old. One day, she revolts against her father, hacks his computer and leaks to the entire world their inevitable date of death by SMS.
“I’m not a believer but I was brought up Catholic. I’m interested in religions as I’m interested in good stories. I remember wondering as a child why God didn’t do anything when His son was crucified. Why doesn’t He do anything when children are dying of leukaemia? Why does Batman save people, but God doesn’t?” (Jaco Van Dormael) Continue reading
Split into two parts, shot in black and white, the opening chapter First Love, Yoshiko follows a Korean director (Lim Hyung-kook) who is scouting for locations for his next film in the Japanese rural town of Gojo, and is joined by his assistant director Mijung (Kim Sae-byuk) who interprets for him. There he meets the locals including an elderly lady and a civil servant (Ryo Iwase) who helps him tour the area. The second part, Well of Sakura, captured in colour, is inspired by a story told in the opening chapter of a romance between a Korean woman and a local man. Mijung is now an actress while the civil servant is a persimmon farmer as they walk around the town and learn about each other. Continue reading