Plot / Synopsis
From Germany’s Rapid Eye Movies and Japan’s Kokuei Company comes a whimsical pink film musical about a woman and a sea creature.
Directed by pink-film veteran Shinji IMAOKA (Lunch Box, Frog Song), shot by Christopher Doyle – the famed cinematographer behind Hero and countless films by Wong Kar Wai – and with music by Germany’s Stereo Total, Underwater Love – A Pink Musical promises to be unlike anything you’ve ever seen.
Asuka works in a lakeside fish factory. She is just about to be married to her boss. One day, she encounters a Kappa, a water creature living in the lake and learns that it is the reincarnation of Aoki, her first love.
What ensues is a zany spectacle of love, music and sex. Continue reading Shinji Imaoka – Onna no kappa aka Underwater Love (2011)
Sydney Film Festival wrote:
If Ingmar Bergman had wandered into rural Tennessee and downed a few too many shots of moonshine he might have made something like this bizarre and compelling family drama. Mixing elements of Southern Gothic, sports drama, situation comedy and backwoods horror with biblical overtones, Septien takes us to the very strange farmhouse of the Rawlings brothers. Cornelius (played by writer-director Michael Tully), a Christlike figure and brilliant sportsman, has returned after an 18-year absence. Amos creates grotesque art in the barn, while Ezra dons a frock and does the housework. Then there’s Wilbur Cunningham, who lives in a tyre in the backyard. When a plumbing problem needs fixing the you-know-what really hits the fan. A disturbing, fascinating and darkly comic portrait of family ties, obsession and redemption, Tully’s movie is an American original that’s not to be missed. Continue reading Michael Tully – Septien (2011)
Korean filmmaker Kim Ki-duk bares his tortured, inebriated soul in “Arirang,” and it’s not a pretty sight. An experience that can be likened only to being stuck next to a drunk in a bar who keeps reminding you he used to be famous, all his friends are bastards and he now understands the meaning of life, pic might have proved therapeutic to make, but it’s a grind to watch, even for fans of the maverick writer-director’s work. Kim’s rep will inevitably ensure further fest bookings for what is essentially one long whine, but theatrical distribution anywhere looks highly unlikely. Continue reading Ki-duk Kim – Arirang (2011)
Celebrated documentary director Frederick Wiseman spent ten weeks with his camera exploring one of the most mythic places dedicated to women, ‘CRAZY HORSE’. This legendary Parisian cabaret club, founded in 1951 by Alain Bernardin, has become, over the years the Parisian nightlife ‘must’ for any visitors, ranking alongside the Eiffel tower and the Louvre.
Wiseman’s impeccable eye allows us to enter into this intriguing international temple of the Parisian club world and to discover what makes the CRAZY HORSE tick: elegance, perfectionism and a grueling schedule (with 2 shows a night and 3 on Saturdays, 7 days a week). The film takes us to the final curtain up, and the unveiling of the brand new show. DESIR is created by the greatest French choreographer Philippe DECOUFFLE and is an artistic, modern, humorous and colorful outburst that is the pinnacle of ‘NUDE CHIC’. Continue reading Frederick Wiseman – Crazy Horse (2011)
The Black Power Mixtape 1967-1975
“You’re either part of the solution or part of the problem,” Eldridge Cleaver is often quoted: as documentaries go, “The Black Power Mixtape 1967-1975″ solves a few common production problems with its origins, drawing on a splendid cache of black-and-white and color 16mm interviews, shot in the United States by Swedish journalists with a seemingly radical bent, and unearthed in 2005. (To paraphrase another figure, this potential revolution was televised, even if only in Scandinavia.) Göran Hugo Olsson’s documentary of fierce, open exchanges with Black Power Movement figures captures the moment’s intensity (and intermittent naiveté) from its subjects, including Stokely Carmichael, Bobby Seale, Angela Davis, Cleaver and William Kunstler. (The crispness of the long-unseen footage is startling.) Earnest activism and protest meet setbacks, as the historical record already shows. Yet these curious Swedes, gaining the trust of their subjects, captured invaluable, contemporary reflections of a turbulent time, after the early days of the civil rights movement, when filling the streets was thought a way to prompt societal change. Continue reading Göran Olsson – The Black Power Mixtape 1967-1975 (2011)
‘Jean is 35 and still lives with his mother in the small Corsican town where he was born. His future is clearly mapped out for him – to take over the running of the family restaurant. But one day something happens that sets him on new and unexpected course. He meets Nora, a young woman who has just been thrown into the sea from her racing yacht. Nora awakens something in Jean, a sense of adventure, a yearning for new experiences. Jean’s life has only just begun…’
– Films de France Continue reading Jean-Luc Perreard – Itineraire bis (2011)
MIA (Ruth Vega Fernandez) and FRIDA (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences. Continue reading Alexandra-Therese Keining – Kyss mig AKA Kiss Me (2011)