Two different rhythms in the same body. The first one of an actress and the second that of his character: Luisa and Rosalinda share the same body but not the same rhythm. One afternoon in the Delta del Tigre, on the outskirts of Buenos Aires, a group of actors meet to rehearse the comedy Como les guste, by William Shakespeare. During this day, love rages and the roles between actress and character are confused between the enjoyment of artifice and the anguish of the uncertain. Read More »
La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space. Read More »
Werner Herzog and Andre Singer’s riveting documentary, filled with unforgettable archive materials and based on three never before seen interviews, provides incredible access to arguably the world’s greatest living politician.
Now 88 and battling illness, the visionary Mikhail Gorbachev, the former General Secretary of the U.S.S.R., is still gently but resolutely pushing towards his goals. Herzog celebrates Gorbachev’s three remarkable accomplishments: negotiations with the U.S. to reduce nuclear weapons, cessation of Soviet control of Eastern Europe and the reunification of Germany, and the dissolution of the Soviet Union and Eastern bloc. All of this in six years! Read More »
Year one at the Teddy McArdle Free School in Little Falls, New Jersey, where all classes are voluntary and rules are determined by vote. Wilder is there from the beginning to end of the school year, documenting and observing founder Alexander Khost, eleven-year-old Jiovanni, seven-year-old Lucy, along with an entire indelible cast of young personalities as they form relationships, explore their surroundings and intensely debate rule violations, until it all comes to a head. APPROACHING THE ELEPHANT is a portrait of unfettered childhood and human relationships. Read More »
A young couple settles down in a large abandoned industrial warehouse. An orange strip, glued to the floor, partitions the area in two equal portions: to the right, his sculpture atelier; to the left, her dance studio. Pendular takes place in this setting, where art, performances and intimacy mingle together; and where the characters slowly lose their capacity of distinguishing between their artistic projects, their past and their romantic relationship. Read More »
Kékszakállú is an unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. The torpor of boredom and privilege is undercut by the vicissitudes of Argentina’s economic malaise, forcing the offspring of a vanishing upper class to extricate themselves from the props of familial privilege. The film presents a documentary-like exposure of the quotidian while extending possibilities for redemption among this brood of the weary. Obliquely inspired by Bela Bartok’s sole opera, Kékszakállú radically transposes the portent of Bluebeard’s Castle into something far less recognizable: a tale of generational inertia, situated between the alternating and precisely rendered tableaux of work and repose in Buenos Aires and Punta del Este. Read More »
After a failed attempt at working on a foreign film set, 26 year-old Ana returns to her hometown of Strasbourg. Over the scorching summer that follows, she decides to replace her grandmother’s bathtub with a walk-in shower, eat peas and carrots with ketchup, drive a Porsche, harvest plums, lose her driver’s license, sleep with her best friend and get back together with her ex. In short, over this particular summer, Ana tries to get her life together. Read More »