Plot: When Jesse learns that Krager is cheating settlers, he and his gang rob trains to obtain money for them to purchase their land. Krager, finding a Jesse look alike in Burns, hires him to wreck havoc on the ranchers. When Jesse kills Burns he switches clothes and goes after the culprits.
The last of the Frontier-era films starring Roy Rogers. From this point forward through the last of the Roy Rogers’ film at Republic, the time period was always the modern west, or the mythical version of such. The exception to all of his remaining films not being set in a historical period was in Heldorado that contained a flashback segment. Here, Roy plays a dual role of the title character, Jesse James, and an identical look-alike gambler, Clint Burns. In order to blacken the name of Jesse James, who is aiding the homesteaders and farmers in their fight against a land-grabbing scheme by the agents of a railroad, Burns is hired to impersonate Jesse. The scheme is successful at first with all but Jesse’s old friend, Sheriff Gabby Whittaker, and a newspaper reporter, Polly Morgan, who can distinguish the two men intuitively. Jesse ends that problem by taking out Burns, who had been impersonating him, and then he impersonates Burns in order to get to the root of the problem.
Astonishing Alpine location photography and a young Robert Redford in one of his earliest starring roles are just two of the visual splendors of Michael Ritchie’s visceral debut feature, Downhill Racer. In a beautifully understated performance, Redford is David Chappellet, a ruthlessly ambitious skier competing for Olympic gold with an underdog American team in Europe, and Gene Hackman provides tough support as the coach who tries to temper the upstart’s narcissistic drive for glory. With a subtle screenplay by acclaimed novelist James Salter, Downhill Racer is a vivid character portrait buoyed by breathtakingly fast and furious imagery that brings the viewer directly into the mind of the competitor. Continue reading
One of classics of the Soviet cinema and the most popular film of the Soviet era.
A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard and protect the harem of a guerilla leader (Abdulla). Abdulla is wanted by the Red Army and left his harem behind because the women hindered him. Sukhov’s task proves to be more difficult than he imagined…
The young, pretty and shy Angela Duvall is jailed for murder in some Latin American country. In the prison she gets brutally “initiated” by the other inmates. The nice, honest and handsome prison doctor believe she’s innocent and tries to help her out.
Covering for her brother, who killed a Brazilian drug lord, Angela Duvall is sent to a women’s prison. Trapped behind bars, Angela’s beauty excites the passions in her fellow prisoners and the guards alike. Unfortunately, she also catches the eye of a group of inmates who work for the man her brother murdered. In order to live long enough for her brother’s confession to arrive, she must escape with her fellow prisoners into the dark Brazilian jungle! Continue reading
An extraordinary group of action stars join up together as elite college graduates in the 1950′s who commit perfect financial crimes through legal loopholes. Starring the great Natsuyagi Isao and Chiba Shinichi, along with legendary samurai star Amachi Shigeru. As with all things in life, nothing is perfect. Will justice prevail or is there really a perfect crime? Edge of the seat suspense highlights this superb crime drama! Continue reading
Pieces of the Action
A low-budget no-brainer, Run Lola Run is a lot more fun than Speed, a big-budget no-brainer from five years ago. It’s just as fast moving, the music is better, and though the characters are almost as hackneyed and predictable, the conceptual side has a lot more punch. If Run Lola Run had opened as widely as Speed and it too had been allowed to function as everyday mall fodder, its release could have been read as an indication that Americans were finally catching up with people in other countries when it comes to the pursuit of mindless pleasures. Instead it’s opening at the Music Box as an art movie.
Why try to sell an edgy youth thriller with nothing but kicks on its mind as an art movie? After all, it’s only a movie–a rationale that was trotted out for Speed more times than I care to remember. The dialogue of Run Lola Run is certainly simple and cursory, but it happens to be in subtitled German–which in business terms means that it has to be marketed as a film, not a movie. And of course nobody ever says “It’s only a film,” just as no one ever thinks of saying “It’s only a concert,” “It’s only a novel,” “It’s only a play,” or “It’s only a painting.” Because they’re omnipresent, movies almost oblige us to cut them down a peg or two just so we can breathe around them. Continue reading
Author: Lalit Rao from Paris, France
French cinema of nineteen eighties was known for its numerous popular films which gave a new dimension to box office collections.”Pour La Peau D’Un Flic” is one such film which is not so much known by ordinary film viewers both in France and elsewhere.This might have something to do with the manner in which this film was distributed. It is sure that loyal Alain Delon fans would be aware that this film marked the beginning of his directorial career in 1981.Alain Delon gives one of his career’s finest performances as a detective who would go to any length in order to bring cold blooded criminals to justice.As a film director he has not fought shy of portraying what ails police forces in France.In “Pour La Peau D’Un Flic”,policemen are shown as real human beings with their fair share of weaknesses.Alain Delon’s acting performance has too many shades of similarities with American actor Al Pacino although it would be politically incorrect to suggest such a comparison.This is a good film for all those people who would like to see Alain Delon both as an actor as well as a director in a same film. Continue reading