Melvin Frank & Norman Panama – Above and Beyond (1952)

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Plot:
The story of Colonel Paul Tibbets, the pilot of the Enola Gay, the bomber that dropped the atomic bomb on Hiroshima. Although unaware of the full potential of this new weapon, he knows that it is capable of doing tremendously more damage than any other weapon used before, and that the death toll resulting from it will be enormous. He is reluctant to be the person who will end so many lives, but if using it may bring an end to the war, then not doing so may result in even more lives being lost in continued ground assaults as the fighting goes on. At the same time, the intense secrecy surrounding this mission leaves him with no one he can express his thoughts and doubts to, not even his wife. As time goes on, the pressure upon him only increase. Written by Jean-Marc Rocher Continue reading

Fernando Di Leo – La Mala ordina AKA Manhunt (1972)

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iMDB:
When a shipment of heroin disappears between Italy and New York, a small-time pimp in Milan is framed for the theft. Two professional hitmen are dispatched from New York to find him, but the real thieves want to get rid of him before the New York killers get to him to eliminate any chance of them finding out he’s the wrong man. When the pimp’s wife and daughter are murdered in the course of the “manhunt”, he swears revenge on everyone who had anything to do with it. Continue reading

Fernando Di Leo – Milano calibro 9 (1972)

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Quote:
Milan Calibre 9 (made in 1971 and released the following year) is the first chapter of the famous “Milieu Trilogy”, continued with Manhunt (La mala ordina) and ending with The Boss (Il boss) in which Fernando di Leo explores the different aspects of the world of organized crime. The title of the film is taken from a story by Giorgio Scerbanenco which is part of the book I Centodelitti. This Russian writer also inspired certain parts of scripts ( Stazione centrale ammazzare subitofor the bomb package, Vietato essere felici and La vendetta è il miglior perdono for certain characteristics belonging to the main character, Ugo Piazza). But basically, di Leo created this film independently, using the noir genre as a vehicle for his own sociological, anthropological and also philosophical ideas about the world of crime. Continue reading

John Shepphird – Teenage Bonnie and Klepto Clyde (1993)

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The Bonnie & Clyde story is re-told from a contemporary viewpoint. Clyde in this movie is a high school nerd working in the local burger joint. Urges to steal things are inflamed when he runs into Bonnie, the bored daughter of the local police commissioner, who is running with a street gang led by Kirk. Clyde immediately senses a kindred spirit in Bonnie. Initially she ignores him, but he rescues her from a shop-lifting charge and offers her a ride in a stolen van. Soon the two have taken guns from her father’s home and go off on a bloody crime spree… Written by John S. Continue reading

Duccio Tessari – Zorro (1975)

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Plot:
The internationally produced Zorro is set in South America instead of the California locales of the series.
Alain Delon stars as the newly appointed governor who immediately butts heads with corrupt Colonel Huerta. To rescue the peasants from Huerta’s despotry, the governor becomes the caped-and-masked do-gooder Zorro.
The film never really takes itself seriously, not even during the final, well-staged duel between Zorro and Huerta. ~ Hal Erickson, All Movie Guide Continue reading

Shinya Tsukamoto – Tetsuo: The Bullet Man (2009)

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– from Variety-

“POWERED BY
A Tetsuo Group presentation of a Kaijyu Theater, Asmik Ace Entertainment production. (International sales: the Coproduction Office, Paris.) Produced by Shinichi Kawahara, Masayuki Tanishima.
Directed by Shinya Tsukamoto. Screenplay, Tsukamoto, Hisakatsu Kuroki.

With: Erik Bossick, Akiko Monou, Shinya Tsukamoto, Stephen Sarrazin, Yuko Nakamura, Tiger Charlie Gerhardt.
(English dialogue)

Twenty years after making his breakout cult hit, “Tetsuo,” and 17 years after its sequel, “Tetsuo II: Body Hammer,” multihyphenate filmmaker Shinya Tsukamoto busts out the big guns again with “Tetsuo the Bullet Man.” Contempo-set pic doesn’t bring much new to the half-man-half-machine concept, but with its delirious editing and eardrum-crunching soundtrack, it punches above its weight and musters a certain retro charm with its old-school effects, all done on about one-hundredth of the budget of a “Transformers” movie. Fans of the franchise will have this in their sights and show support, but crossover potential looks iffy. Continue reading