Pieces of the Action
A low-budget no-brainer, Run Lola Run is a lot more fun than Speed, a big-budget no-brainer from five years ago. It’s just as fast moving, the music is better, and though the characters are almost as hackneyed and predictable, the conceptual side has a lot more punch. If Run Lola Run had opened as widely as Speed and it too had been allowed to function as everyday mall fodder, its release could have been read as an indication that Americans were finally catching up with people in other countries when it comes to the pursuit of mindless pleasures. Instead it’s opening at the Music Box as an art movie.
Why try to sell an edgy youth thriller with nothing but kicks on its mind as an art movie? After all, it’s only a movie–a rationale that was trotted out for Speed more times than I care to remember. The dialogue of Run Lola Run is certainly simple and cursory, but it happens to be in subtitled German–which in business terms means that it has to be marketed as a film, not a movie. And of course nobody ever says “It’s only a film,” just as no one ever thinks of saying “It’s only a concert,” “It’s only a novel,” “It’s only a play,” or “It’s only a painting.” Because they’re omnipresent, movies almost oblige us to cut them down a peg or two just so we can breathe around them. Continue reading
Author: Lalit Rao from Paris, France
French cinema of nineteen eighties was known for its numerous popular films which gave a new dimension to box office collections.”Pour La Peau D’Un Flic” is one such film which is not so much known by ordinary film viewers both in France and elsewhere.This might have something to do with the manner in which this film was distributed. It is sure that loyal Alain Delon fans would be aware that this film marked the beginning of his directorial career in 1981.Alain Delon gives one of his career’s finest performances as a detective who would go to any length in order to bring cold blooded criminals to justice.As a film director he has not fought shy of portraying what ails police forces in France.In “Pour La Peau D’Un Flic”,policemen are shown as real human beings with their fair share of weaknesses.Alain Delon’s acting performance has too many shades of similarities with American actor Al Pacino although it would be politically incorrect to suggest such a comparison.This is a good film for all those people who would like to see Alain Delon both as an actor as well as a director in a same film. Continue reading
As steady hands carefully wire a bomb and meticulously set the timer to the eerie sounds of children singing in the background, and as the deadly device explodes, rupturing a building into fragments and splintering the tranquility of the theatre. Elite assassins Mike Locken and George Hansen take on jobs too risky for even the CIA to handle. They’re best friends, superior marksmen and on the A-list when it comes to killing. But when one high-powered hitman betrays another, the intrigue, the violence and the trills become more than just a dangerous game of who-kills-whom first…It becomes a very personal war! Continue reading
In Sam Peckinpah’s version of Walter Hill’s script, from Jim Thompson’s novel, an ex-con and his wife go on the lam after a Texas bank heist. Denied parole after four well-behaved years, Doc McCoy (Steve McQueen) sends his wife Carol (Ali MacGraw) to dirty politician Jack Benyon (Ben Johnson) to get him out of prison. Carol secures Doc’s freedom, on the condition that he does one more bank job for Benyon. Doc and his accomplices Rudy (Al Lettieri) and Jackson (Bo Hopkins) get the cash, but Doc soon discovers how Rudy intends to keep it all for himself and how Carol convinced Benyon to get him sprung. While Rudy hijacks a veterinarian and his wife (Sally Struthers) to take him to get Doc in El Paso, Doc and Carol make their own embattled way south with the money, threatening to desert each other before reaching a trash dump rapprochement after a harrowing garbage truck episode. All sides converge in El Paso for a shootout, but trust a happily married old-timer (Slim Pickens) to help Doc and Carol have a future. With violence shot in his trademark balletic style, Peckinpah does not hide the damage that Doc can do, whether to a cop car or an enemy. Still, as in such other morally relative outlaw movies as Bonnie and Clyde (1967) and Peckinpah’s western The Wild Bunch (1969), Doc may be a criminal and killer when necessary, but his and Carol’s loyalty to each other elevates them above their crooked milieu. With its non-traditional traditional couple played by the then hot (and notoriously adulterous) stars McQueen and MacGraw, The Getaway was a substantial hit. It was lackadaisically remade with Alec Baldwin and Kim Basinger in 1994.. Continue reading
Synopsis: A young worker eager to earn money as a boxer enters and grows into star ring. His idol is Kid Snuff boxing, he does not know, but I admire both reaching imitate everything. Be conquered by a cabaret singer, former lover Kid, breaking up with his girlfriend with whom he is truly in love. There comes a point in their fight with Kid for the championship of Mexico, but to discover the relationships with singer, repents and returns with his girlfriend. Decides to leave the ring, whatever the outcome of the fight. Win Kid Snuff and the other is on the floor. When the doctor acknowledges, is that has died from the blows.
Set in the Seventies, Hennessy is a Irishman who believes in peace, but who has had connections to the IRA. Hennessy’s family is killed, and he plots revenge, setting out to assassinate Queen Elizabeth of England. Continue reading
John Wayne and Janet Leigh star in this military romance. Anna, Russian MIG pilot, escapes the USSR and lands on a US Air Force base in Alaska. There she meets Colonel Shannon, and after he debriefs her, the two become romantically involved and move to Palm Springs. Trouble arises when the US authorities discover that Anna is not really a defector but a Soviet spy. Army honchos decide to turn the tables by letting Shannon follow her back home and do some of his own espionage. But once there, Soviet forces endanger Shannon’s life — and Anna has to choose between her country and the man she has come to love. Continue reading