Christopher Thompson & Alper Cagatay – How to Sell a Banksy (2012)

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“Banksy’s work now reportedly changes hands for millions.
But he puts up his street art for free. Have you ever wondered
what would happen if you got your hands on one of these?
Does it mean you’ve found a winning lottery ticket or just
scraped some worthless crap off a wall?

Going up against the Art Establishment, Critics, Auction Houses,
Gallery Owners and Authentication Boards in a quest for the
elusive meal ticket, two filmmakers unwittingly gatecrash the
murky and protective world of Banksy. Continue reading

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Julien Duvivier – Black Jack (1950)

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IMDb comment by niathan:

I saw this film when it was released to the minor cinemas in the UK some 50 years ago; and the memory remains of a great musical score, and the tragedy of the storyline. I saw it again on video recently. The sound track was poor and the picture grainy; but it is one of two films that I saw again the next day, the other being Gladiator. The music theme is intensely tragic, and from the outset one knows that it heralds failure or death. Certainly one of George Sanders best performances; as a man working the black market to get pay back for what he lost in the war, but nemesis waits; Patricia Roc plays a refugee from Eastern Europe eaten with despair. He is attracted to her, selflessly wants to help her, and then falls in love with her, but she is too proud and hurt to accept help. Their love destroys him, and inevetably the girl and the doctor (Herbert Marshall), who brought the nemesis. The storyline is of complex intertwining destinies, where subsidiary characters are not who they appear to be. This is as a film, which diappointed the critics and struggled at the box office; but for the adolescent who saw it, and the retired gentleman who saw it again it is one of the greatest films (taking into account its age)whose story is more akin to an opera. Continue reading

Jaime Humberto Hermosillo – Matinée (1977)

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Synopsis (University of California, Berkeley Art Museum & Pacific Film Archive)
Within the framework of a thriller, Hermosillo presents in Matinee a film that is rich in the dreams and ambiguities of childhood. Two precocious provincial boys, enamored of the movies, head out for Mexico City in search of some real-life adventure. They are kidnapped by a gang of gunmen who adopt them as mascots, but also involve them in their cutthroat activities. The criminal escapades are a dream-come-true for the boys, until the police come into the picture and they are forced to betray their kidnappers. The boys are returned to the provinces as hometown heroes–returned to the quiet streets and the dubious thrill of the Saturday matinee. Hermosillo recalls the black humor of Buñuel and the boyhood adventures of Robert Louis Stevenson and Mark Twain; and like them, he rejects the innocence of childhood for something more complex, which, though it is never defined, is the subject of Matinee. Continue reading

Eric Rohmer – Perceval le Gallois (1978)

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Veteran French New Wave director Eric Rohmer’s Perceval is a unique film faithfully based on the 12th-century Arthurian poem by Chrétien de Troyes. It combines medieval music, bright colors, mime, stylized acting and theatrical sets that reflect a wonderful feel for the period. This elegant adventure film is shot entirely in the studio. Rohmer highlights Perceval (Fabrice Luchini) as a young innocent who uses this to his advantage to gain the confidence of his enemies. The naïve Perceval’s odyssey is depicted as a moral investigation, but is shot with a deft touch exhibiting great humor, wit and style… It’s more involving than either Bresson’s Lancelot du Lac or Syberberg’s Parifal. Continue reading

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