Aleksandar Petrovic – Skupljaci perja AKA I even met happy Gipsies (1967)

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From IMDB:
Bora the Gypsy is married to an older woman, and he falls in love with the younger Tissa, who is being offered in marriage by her father, to a young gypsy man. This marriage arrangement is according to custom. Tissa rejects her husband, claiming he is not able to consumate the marriage, and Bora joins her. They get a monk in the mountains to marry them. Unable to return to the Gypsy camp, Tissa tries to reach Belgrad on her own, but a couple of truck drivers rape her, and she does return in misery to her tribe. Meanwhile, Bora defends his honour the traditional way, in a knife duwl, and kills his opponent. Therefore he, too, must leave the tribe. And yet, we’ll find happy gypsies… Written by Artemis-9 Continue reading

Aleksandar Petrovic – Tri AKA Three (1965)

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Here is a review from NYT from 1967 when it was nominated for Best foreign film at Academy Awards:

Quote:
War’s utter bestiality and waste, usually illustrated by armies, is brought into sharp focus by a talented few in “Three,” a prize-winning Yugoslav drama that treats its bleak and harrowing subject with a grim but poetic artistry. It had a showing at the New York Film Festival last year, and is now at the Studio Cinema and 72d Street Theaters. The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling.

The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the conflict. In each of three events he is part of, needless death brought about by fear, despair and defeat. In the opening sequence, as one of a milling village crowd seeking to escape by train from the approaching Nazis, he witnessed the shooting of an innocent man on suspicion by nervous Yugoslav soldiers. Continue reading