Alexandre Astruc – Le rideau cramoisi (1953)

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Plot: A young second lieutenant in the hussars, garrisoned in the provinces, recalls a strange adventure. While staying with an old couple he meets Albertine, his hosts’ daughter, falls in love with her and, after wooing her assiduously, makes her his mistress. But then one night she dies in his arms… (link)

Quote:
At the beginning of the 19th century a young officer newly promoted comes to live in the mansion of some dull and quiet bourgeois. One evening he sees a young and beautiful person who dines at the family’s table. It is Albertine his landlord’s daughter who has come back home after spending some time in a boarding school.
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Alexandre Astruc – Albert Savarus (1993)

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Based on the 1836 novel by Balzac (wiki)

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Script-writers who adapt Balzac or Dostoievsky excuse the idiotic transformations they impose on the works from which they construct their scenarios by pleading that the cinema is incapable of rendering every psychological or metaphysical overtone. In their hands, Balzac becomes a collection of engravings in which fashion has the most important place, and Dostoievsky suddenly begins to resemble the novels of Joseph Kessel, with Russian-style drinking-bouts in night-clubs and troika races in the snow. Well, the only cause of these compressions is laziness and lack of imagination. The cinema of today is capable of expressing any kind of reality. What interests us is the creation of this new language. (…) The fundamental problem of the cinema is how to express thought.
Alexandre Astruc, The Birth of a New Avant-Barde: La Camera-Stylo (1948) Continue reading