Andrew Kotting

Andrew Kotting – This Filthy Earth (2001)

From The Guardian
Filthy is right. This is a film to counter-balance any lingering misapprehension that the countryside is a place of picturesque tranquillity – and, thank heavens, it is not your everyday Britpic. Andrew Kötting’s second feature, adapted from Zola, is a gallery of bucolic grotesques set in a remote rural community in the early 20th century, long before EU subsidies, mad cows and agribusiness (but not before foot and mouth). The screenplay was written by Kötting and comic Sean Lock. Read More »

Andrew Kotting – Ivul (2009)


The second in a projected trilogy by artist and filmmaker Andrew Kötting, Ivul marks the director’s successful return to narrative filmmaking. A family drama in which the close relationship between teenage siblings Alex and his older sister Freya (Leroux) increases to such an intensity that it develops sexual overtones, adding to the cracks in their not so happy home. An astonishingly distinctive and distinguished work located in the French Pyrenees, Ivul deftly blends the avant-garde, high wire performance and assured storytelling. Ambitious, challenging and yet also accessible, this is Kötting’s most sensory and purely satisfying feature to date. (-Curzon) Read More »

Andrew Kotting – Ivan and the Dogs AKA Lek and the Dogs (2017)


In his adaptation of Hattie Naylor’s play Ivan and the Dogs, experimental filmmaker Andrew Kötting travels to the Chilean desert to recreate the life of the young boy who left his Moscow apartment to live with a pack of wild dogs. A crossover between narrative film and contemporary art piece.
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Andrew Kotting – Gallivant (1997)


Synopsis: When British filmmaker Andrew Kotting decided to tour the perimeter of Great Britain with his grandmother Gladys and his daughter Eden, he brought a film crew along. The result is this often humorous and picturesque documentary. Much of it features the travelers interacting with the native villagers who gladly share a story, a bit of colorful philosophy or sing a traditional song. One of Kotting’s motives for the journey was to have a final lark with the 80-year-old Gladys and to spend precious moments with Eden, who suffers from Jouberts Syndrome and may die before reaching maturity.~ Sandra Brennan, All Movie Guide Read More »