Angela Schanelec

Angela Schanelec – Plätze in Städten AKA Places in Cities (1998)

Synopsis
Mimmi lives with her mother in an apart-ment on the edge of town. They won’t be living together for much longer because Mimmi is about to take her final exams at school and will soon move out. Mimmi’s mother is still young and sometimes wish-es Mimmi didn’t need her so much and yet, at other times, that she needed her more, like before. But Mimmi herself doesn’t say very much and it’s often hard to tell what thoughts preoccupy her. She sees her girlfriend, goes out with her boyfriend; she also has the odd flash-in-the-pan relationship with other men. She is often alone – perhaps just waiting for the time to pass, or for a new life to begin. On a school trip to Paris she meets and sleeps with a young man. When she gets back to Berlin she discovers that she is pregnant. She heads for Paris again where she spends two days trying to find the father of her child. She has no money and doesn’t even know where she can sleep. She begins to daydream – and gets more and more tired. Read More »

Angela Schanelec – Orly (2010)


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SYNOPSIS
Amidst the impersonal hubbub of Paris’ Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.

REVIEW
Quote:
Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. Read More »

Angela Schanelec – Der traumhafte Weg (2016)

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Quote:
Angela Schanelec’s first feature since 2010 is the much-anticipated Der traumhafte Weg, a serious work that is deliberately constructed image upon image and allows the viewer to read a seemingly realistic, yet artificially created world as it is being experienced, yet ultimately works against any simple narrative comprehension. The best way to tackle Der traumhafte Weg is to proceed, scene by scene, with a description of the shots, of how within the shots the characters are framed, how the characters gaze, how they hold their bodies… In other words, it is an Angela Schanelec film, where attention is required and rewarded, and the characters are at the mercy of the elements of chance. Read More »

Angela Schanelec – Orly (2010)

29f7c043f76a2bde437fd0d52a185152

Amidst the impersonal hubbub of Paris’ Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.

Quote:
Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. Read More »

Angela Schanelec – Mein langsames Leben AKA Passing Summer (2001)

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An attempt to observe life from the outside – to gain distance, to not interfere, to just observe. Two young women sitting in a café on a summer day, a family arriving at the airport, an older woman sitting alone in a train, adult children standing in front of the hospital where their father is dying. Situations found everyday, a thousand times over. But what happens when you try to depict this normality?

Quote:
A film about several persons shown in different constellations talking to each other about their inner feelings, relationship problems, future plans, and so on. As the original title (“My slow life”) indicates, it is a very slow film with hardly any action at all, more a sequence of still photographs than a movie – even the camera hardly ever moves. Rather, the camera looks for, and finds, beautiful views of silence and peace, thus reflecting what the persons shown are looking for. A very homogeneous, credible film, without any hectic or loud moments. A film for the late evening, with a glass of whisky in your hand. Read More »