George Herriman – Krazy Kat – Bugologist (1916)

l3oita George Herriman   Krazy Kat   Bugologist (1916)

29f7c043f76a2bde437fd0d52a185152 George Herriman   Krazy Kat   Bugologist (1916)

Quote:
Krazy Kat and Ignatz set out for the wilds on Krazy’s bike; Krazy’s promises to teach Ignatz about bugology. After crashing the bike into a tree, they come upon a bee (Krazy says it’s sleeping, Ignatz says it’s dead) and an elephant. Krazy works his magic on one of them, Ignatz on the other. Hearts swell inside the animals’ chests.
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Jan Svankmajer – Dimensions of Dialogue (1983)

 Jan Svankmajer   Dimensions of Dialogue (1983)

29f7c043f76a2bde437fd0d52a185152 Jan Svankmajer   Dimensions of Dialogue (1983)

A three-part depiction of various forms of communication. ‘Factual Discussion’ depicts three heads (made up of fruit, kitchen utensils and writing implements respectively) endlessly devouring and regurgitating each other. ‘Passionate Discourse’ shows two clay figures romantically intertwined, and the problems with dealing with the end product of their passion, while ‘Exhaustive Discussion’ shows two animated heads playing a bizarre variant of the old scissors-paper-stone game. Continue reading

Alain Escalle – Le Conte Du Monde Flottant AKA The Tale of the Floating World (2001)

p5xb Alain Escalle   Le Conte Du Monde Flottant AKA The Tale of the Floating World (2001)

29f7c043f76a2bde437fd0d52a185152 Alain Escalle   Le Conte Du Monde Flottant AKA The Tale of the Floating World (2001)

IMDB user Review:

Artifacts Don’t Move

The idea of this, and the ideas of how we might watch it, are more engaging than the thing itself.

Japan is a collection of notions about what it was, perhaps more-so than any other culture with visibility. Both Japanese and the west look on that collection of cultural relics, sometimes to mine for expressive power.

(Arabia and Persia have a similar dynamic which differs in being based on knowledge rather than refinements in society. It also differs in that it destroyed what they had themselves — and deliberately, so only the anger at loss remains and none of the reference to introspection.) Continue reading

Ari Folman – The Congress AKA Kenes Ha-Atidanim (2013)

 Ari Folman   The Congress AKA Kenes Ha Atidanim (2013)

thgc Ari Folman   The Congress AKA Kenes Ha Atidanim (2013)

Quote:
Robin Wright plays an aging actress with a reputation for being fickle and unreliable, so much so that nobody is willing to offer her any roles anymore. She agrees to sell the movie rights to her digital image to Miramount Studios in exchange for a hefty sum and the promise to never act again. After her body is digitally scanned, the studio will be able to make movies starring her using only computer-generated characters.

20 years later, her character attends the Futurological Congress, which showcases Miramount’s new technology that allows people to transform themselves into animated avatars. In this mutable illusory state, they can become anything they want to be, be it a perfectly seductive goddess or their favorite action hero. Miramount wants to sell her image to punters, allowing them to transform themselves into her. Continue reading

pixel Ari Folman   The Congress AKA Kenes Ha Atidanim (2013)