Marco Bellocchio – I pugni in tasca AKA Fists in the Pocket (1965)

 Marco Bellocchio   I pugni in tasca AKA Fists in the Pocket (1965)

29f7c043f76a2bde437fd0d52a185152 Marco Bellocchio   I pugni in tasca AKA Fists in the Pocket (1965)

Quote:
Tormented by twisted desires, a young man takes drastic measures to rid his grotesquely dysfunctional family of its various afflictions in this astonishing 1965 debut from Marco Bellocchio. Charged by a coolly assured style, shocking perversity, and savage gallows humor, Fists in the Pocket (I pugni in tasca) was a gleaming ice pick in the eye of bourgeois family values and Catholic morality, a truly unique work that continues to rank as one of the great achievements of Italian cinema. Continue reading

Gregg Araki – Totally F***ed Up (1993)

 Gregg Araki   Totally F***ed Up (1993)

29f7c043f76a2bde437fd0d52a185152 Gregg Araki   Totally F***ed Up (1993)

from all movie:

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A group of gay and lesbian teen characters addresses the camera directly in this pseudo-documentary about the travails of queer adolescence in early-’90s Los Angeles. Andy (James Duval), who hides his sensitive side beneath a nihilistic exterior, really yearns to find a nice boyfriend and settle down the way his pal Steven (Gilbert Luna), an aspiring filmmaker, has with boyfriend Deric (Lance May). Meanwhile, their sex-crazed friend Tommy (Roko Belic) has been kicked out by his parents for being homosexual. The only seemingly carefree members of this adoptive family are Michele (Susan Behshid) and Patricia (Jenee Gill), a lesbian couple whose desire to raise a child together leads the boys to participate in a group sperm donation during one of the film’s many scenes of these characters just hanging out and rapping about AIDS, fag-bashing, homophobia, and alienation. In-between polemicizing and posing in front of Steven’s camera for interviews, Andy meets college student Ian (Alan Boyce), who seems, at least for a while, to be Mr. Right. Just as Andy and Ian’s relationship begins to blossom, Steven and Deric’s starts to fall apart, but nothing’s for certain in director Gregg Araki’s angst-ridden world. Framed as 15 vignettes, each one introduced by an ironic intertitle and many of them interspersed with graphic sexual and commercial images, Totally F***ed Up marked the end of Araki’s no-budget phase; the glossy, gaudy Doom Generation would follow two years later. Continue reading

Aleksei German – Khrustalyov, mashinu! AKA Khrustalyov, My Car! (1998)

 Aleksei German   Khrustalyov, mashinu! AKA Khrustalyov, My Car! (1998)

29f7c043f76a2bde437fd0d52a185152 Aleksei German   Khrustalyov, mashinu! AKA Khrustalyov, My Car! (1998)

Quote:
Winter is never-ending in Aleksei Guerman’s impenetrable film ”Khroustaliov, My Car!,” a nearly two-and-a-half hour absurdist nightmare of life in the Soviet Union during the final days of Stalin’s rule. Snow falls in almost every scene of this starkly grim, black-and-white movie, which follows the triumph, fall from grace and hasty rehabilitation of a hulking Red Army general and brain surgeon named Yuri Glinshi (Yuri Tsourilo). Processions of black government vehicles are forever materializing like ominous phantoms through the curtains of snow that drift over a dilapidated town decorated with gleaming white statues of the beady-eyed, mustached Soviet dictator. Continue reading

Jos Stelling – De Wachtkamer AKA The Waiting Room (1995)

lsulAFO Jos Stelling   De Wachtkamer AKA The Waiting Room (1995)

29f7c043f76a2bde437fd0d52a185152 Jos Stelling   De Wachtkamer AKA The Waiting Room (1995)

From IMDB:
User Review

“O be careful little eyes what you see . . .”
19 October 2001 | by Timothy Damon

This director is simply incredible. I saw Jos Stelling’s film THE POINTSMAN some years ago, and I’m not sure I would have believed a feature length film without the spoken word could be made. But he did it, and it was great! So then, would a shorter film in the same format be easier to make? You might think so. But Mark Twain once remarked (paraphrased) that he could do a 2 hour speech on most any subject with little advance preparation, but to properly do a 15 minute speech might take at least a week to properly prepare. Regardless, he has a wonderful time in a train station, mostly in the waiting room. The camera is mainly on a Casanova of a man as his gaze goes well beyond the personal boundaries of the women he is, . . . well, to put it bluntly, lusting after. It reminded me of the cartoon postcard of a slick-talking guy next to a woman asking her “Do you mind if I undress you with my eyes?” and she is thinking {‘well, I guess it’s better than having you touch me”] Whether or not this guy knows he’s gone beyond the bounds of propriety I’ll leave to your contemplation. But his come-uppance is quite delightful. Continue reading

Pawel Pawlikowski – Ida (2013)

 Pawel Pawlikowski   Ida (2013)

29f7c043f76a2bde437fd0d52a185152 Pawel Pawlikowski   Ida (2013)

Ida is a 2013 Polish drama film directed by Paweł Pawlikowski. It was screened in the Special Presentation section at the 2013 Toronto International Film Festival where it won the FIPRESCI Special Presentations award. The film has been selected as the Polish entry for the Best Foreign Language Film at the 87th Academy Awards. It is also nominated for People’s Choice Award for Best European Film at 27th European Film Awards.
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Jean-François Stévenin – Double messieurs AKA Double gentlemen (1986)

dfGC27 Jean François Stévenin   Double messieurs AKA Double gentlemen (1986)

29f7c043f76a2bde437fd0d52a185152 Jean François Stévenin   Double messieurs AKA Double gentlemen (1986)

Quote:
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light. Continue reading

Jean-François Stévenin – Le Passe-montagne AKA Mountain Pass (1978)

SySeex Jean François Stévenin   Le Passe montagne AKA Mountain Pass (1978)

29f7c043f76a2bde437fd0d52a185152 Jean François Stévenin   Le Passe montagne AKA Mountain Pass (1978)

PLOT DESCRIPTION
This film marks the directorial debut of actor Jean-François Stevenin. Serge (Stevenin) is a dweller in the French provinces who happens upon Georges (Jacques Villeret), a Parisian motorist in distress. Serge arranges for the car to be taken to a nearby garage. Georges’ friends, who were with him in the car, have continued their journeys. Because of that, Serge takes Georges under his wings while he waits for his car to be repaired, and they tour the countryside and party with the local revelers. Nothing much is said between them, but it is clear that they have become friends Continue reading

pixel Jean François Stévenin   Le Passe montagne AKA Mountain Pass (1978)