Anton Corbijn – Linear (2009)

29f7c043f76a2bde437fd0d52a185152

Quote:
“Late May 2008 – at a band meeting I was introduced to the new songs. The reason for letting me in so early on this sonically and lyrically different U2 record is that the band have this idea for me to make some kind of moving imagery to go with the record. The thinking is that as a lot of people buy music from the internet and are likely to hear this on a computer or mp3 player, their listening pleasure could be heightened by visuals. Instead of just seeing a pack shot of the record sleeve, or a still photograph of the band for 45 plus minutes, as is often the case now, why not have a moving image for the duration of the record? It is not essential to the record, you can either watch it or ignore it. Brilliant! As always, U2 are thinking ahead, not so much having one foot in tomorrow’s door, as having built the house to which that door is the entrance. Continue reading

Yoshishige Yoshida – Onna no mizuumi aka Woman of the Lake (1966)

29f7c043f76a2bde437fd0d52a185152

Quote:
Eight years into her marriage, Miyako Mizuki (Mariko Okada) looks happy on the outside, but in fact she is not satisfied with her husband, Yuzo (Shinsuke Ashida), who cares about nothing but his career. Miyako has been having an affair with a young interior designer named Kitano (Tamotsu Hayakawa), who in turn has a fiancée named Machie (Keiko Natsu). One night in a hotel, Miyako lets Kitano takes some nude photos of her. On her way back, she is followed by a stranger (Shigeru Tsuyuguchi), and loses her handbag with the film negatives inside while trying to escape. Later at home, Miyako receives a call from the stranger. He uses the negatives to threaten her to follow his instructions and take a train to the north. The stranger is named Ginpei. He was a teacher in a girls’ school, but was expelled because of a scandal with one of his students. As Miyako meets up with Ginpei, she develops a strange attraction towards him.
Continue reading

Alain Cavalier – Un étrange voyage AKA On the Track (1981)

29f7c043f76a2bde437fd0d52a185152

Synopsis
A father-daughter relationship is melded, strained, and deepened by a shared angst: the grandmother in the family left her home by train and never arrived at her destination. The father Pierre (Jean Rochefort) is distraught that the police could basically dismiss the issue as inexplicable, and he decides to retrace on foot the voyage his mother should have made. His daughter Amelie (Camille de Casablanca) goes with him, and the story evolves as the two walk along the train tracks, searching in the nearby terrain and bushes for any evidence that might point to what happened. Along the way, their once antagonistic and distanced relationship (Amelie is a student, her father is a picture-restorer) begins to work itself out… Continue reading

Pere Portabella – Umbracle (1970)

29f7c043f76a2bde437fd0d52a185152

Pere Portabella (b. 1929, Barcelona) is a veteran Spanish filmmaker whose narrative features—rich in interludes, plot diversions, atmosphere, and unexpected synchronies between sight and sound—limn the avant-garde and expand the expressive potential of cinema. Portabella, who began his cinematic career as a producer of fiction films implicitly critical of General Francisco Franco, had his passport revoked when Luis Buñuel’s Viridiana (1961), which he helped to make, “embarrassed” Spain at the Cannes Film Festival in 1962. When democracy returned to Spain, Portabella served as a senator in the Catalan government. However, throughout his various careers, Portabella continued to make cinema, investigating meaning in the moving image and flexing the notion of genre—particularly for horror films, fantasy films, and thrillers. Continue reading

Jean-Marie Straub – Schakale und Araber (2011)

29f7c043f76a2bde437fd0d52a185152

Description: Based on Kafka’s short story:

A European traveler from the North, accompanied by Arab guides, is camped in the desert. When night falls, and the Arabs are at a distance, the traveler is accosted by talking jackals. The jackals speak of an age-old hatred for Arabs, whom they associate with uncleanliness. They relate a belief passed down from their ancestors, that a man such as the protagonist would be the one to “end the quarrel which divides the world in two”. The jackals attempt to enlist the traveler’s assistance in destroying them, offering him old rusted scissors with which to slit the throats of the Arabs. (en.wikipedia.org) Continue reading

Chantal Akerman – Tous les garçons et les filles de leur âge…: Portrait d’une jeune fille de la fin des années 60 à Bruxelles (#1.3) (1994)

http://img196.imageshack.us/img196/5008/qkwz9.jpg

29f7c043f76a2bde437fd0d52a185152

Dave McDougall at MUBI.com

Last Monday night, MoMA played two installments from the series “Tous les garçons et les filles de leur âge…”, a series of one-hour television episodes “in which French directors were asked to contribute films based on their recollections of adolescence” (BFI). The first episode shown was Chantal Akerman’s Portrait of a Young Girl at the End of the 1960s in Brussels.

Akerman’s episode is an achievement of an entirely different level. It moves beyond being one of the great coming-of-age films; it is simply one of the great films. A moving, multifaceted, and magical hour, presented with honesty and subtle artistry. Continue reading