Tinto Brass – L’Urlo aka The Howl (1970)


from imdb user comment:

“2 Eggs; to break, broke, broken”, the only English phrase and theme song spoken in Tinto Brass’ “L’Urlo”. What a film! The only available version of this film I could find had no subtitles. Either way it doesn’t matter since it is very visual. When most people here the name Tinto Brass, right away they think of the horrid sleaze epic “Caligula”, or some might name “Salon Kitty”. If your lucky, you’ll here of some who have seen his fun slapstick sex comedies from Italy like “Miranda” and “All Ladies Do it”. Known mainly for his lighthearted sex romps with curvy women, Tinto Brass’ earliest experimental films were much different. Heres a recipe for a film like “L’Urlo”. Take some Fellini, add some Jodorowsky/Arrabal and a little table spoon of Godard for extra kick, stir and you got yourself “L’Urlo”. One crazy psychedelic, surrealist anti-war art orgy. A bus is lit on fire! Hippies are chased by riot cops. There’s stock footage of Vietnam and other wars with a machine gun showdown! S&M, slapstick sexuality, a man’s pursuit of a beautiful lady… abstract art and nudity galore! Most memorable is a man in a gas mask jumping around with nude people while goose feather’s fill the air! One amazing experimental protest movie! Rebel art at its finest! Continue reading

Amir Naderi – A, B, C… Manhattan (1997)



Second film of the trilogy of stories about New York City by Iranian expatriate director Amir Naderi.
Plot summary from IMDB:
In a poor and decadent area of Manhattan, the musician Kate visits a room in a shared apartment with the aspirant photographer Colleen and the needy teenager Kacey, decided to start living an independent normal life of her own. The alcoholic Colleen has made a decision and will leave her beloved daughter Stella later with a family since she can not afford to support the child. The bisexual Kacey is distributing fliers trying to find her dog TJ that was stolen by her ex-boyfriend Johnny while missing her girlfriend that dumped her to get married. Kate has just broken an incestuous relationship with her brother Stevie, but he can not accept the separation. Continue reading

Koji Wakamatsu – 17-sai no fukei – shonen wa nani o mita no ka AKA Cycling Chronicles: Landscapes the Boy saw (2004)


Kôji Wakamatsu’s Cycling Chronicles: Landscapes the Boy Saw (17-sai no fûkei – shônen wa nani o mita no ka) – a.k.a. “Cycle Chronicles – Landscapes the Boy Saw” and “17 and Life” – is scheduled to have its U.S. première at the 49th San Francisco International Film Festival (SFIFF) on April 27th at 8:45 p.m., and to subsequently be screened there on May 2nd at 6:00 p.m.. As was previously reported here and there on Twitch, the movie was screened at Regional Film Festival (Rîjonaru Firumu Fesutibaru) – “RiFF” for short – on October 31, 2004, and at the 26th PIA Film Festival in Sendai (Dai-26-kai Pia Firumu Fesutibaru in Sendai) – “PFF Sendai” for short – on November 23, 2004. It was released theatrically in Japan by Toshiki Shima’s Shima Films on July 30th of last year. Continue reading

Philippe Garrel – L’Enfant secret (1982)



One of the great masters of post nouvelle vague generation, Philippe Garrel, in one of his more acurate films of his narrative period. Again the failure of 68 utopia, the crisis of the modern couple, the parenthood, and the solitude are in the heart of fiction. Again his wonderful images in black and white, the laconism, and the dry romanticism of his urban poet. Continue reading

Lucile Hadzihalilovic – Innocence (2004)


The line between cinematic art and exploitation has rarely seemed finer and nervier than in the French film “Innocence.” A parable about the lost paradise of girlhood, specifically those prepubescent years before a girl surrenders to the inevitable bumps and fluids, the film marks the directing debut of Lucile Hadzihalilovic, whose seemingly plotless story centers on an all-girls boarding school in a thickly treed forest of the sort usually inhabited by hungry wolves and little wayfarers in symbolic red hoods. Ms. Hadzihalilovic based her screenplay on a relatively obscure text by the German-born playwright Frank Wedekind called “Mine-Haha, or the Corporeal Education of Young Girls.” The fealty of Ms. Hadzihalilovic’s translation of the Wedekind text notwithstanding, the dubious vision of utopia put forth in this film finds the girls engaged in an almost militaristic pursuit of physical perfection without commensurate attention paid to their intellect. — Manohla Dargis, The New York Times Continue reading

Frantisek Vlacil – Dablova past AKA The Devil’s Trap [+Extras] (1962)


(…) Set in the 18h century when the Inquistion was still in force. A small town is one day visited by a priest who is there on a secret mission. He is a member of the Inquisition sent to investigate the activities of a local miller. The miller and his son are the descendants of an old family whose ancestral home burned down a century ago, but was rebuilt from scratch. The miller inherited much of his knowledge about the land, water, and a building’s stability from generations of family experience. His reputation for finding water and predicting when a structure might collapse have come to the attention of the Inquisition -surely he must be in league with the Devil. ~ Eleanor Mannikka, All Movie Guide Continue reading