Arthouse

António de Macedo – Domingo à Tarde AKA Sunday Afternoon (1966)


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Jorge is the doctor in charge of the Haematology Department of a big hospital. One day he meets Clarisse, a patient suffering from advanced leukaemia, and falls in love with her. His struggle to save her inevitably fails in the end, and Jorge will now have to deal with a future of pointless routine and despair. Read More »

Sang-soo Hong – Book chon bang hyang AKA The Day He Arrives (2011)

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Sang-Joon is a professor in the film department at a provincial university. He goes to Seoul to meet his senior, Young-Ho, who works as a film critic. Sang-Joon stays in a northern village in Seoul for 3 days. (IMDb) Read More »

Milcho Manchevski – Majki aka Mothers (2010)

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*Macedonian entry for the Best Foreign Language Film at the 83rd Academy Awards

Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village – an elderly brother and sister who have not spoken to each other in 16 years. Retired cleaning women are found raped and strangled in a small town.

The fiction slowly turns into a documentary.

Marking the return of Milcho Manchevski, ‘Mothers’ portrays all types: dedicated, neglectful, loving, absent. Through these women, Manchevski renders the faces of human tragedy and joy.

Employing an innovative structure, the three stories in ‘Mothers’ highlight the delicate relationships of truth and fiction, of drama and documentary. What is the nature of truth?

Directed with a keen eye for contemporary Macedonia, the film eschews neat narrative devices and pushes the viewer to confront their own definitions of filmic reality.

In a traditional structuralist manner, the structure of the film itself (two parts fiction and one part documentary) becomes part of its message. Read More »

Alain Tanner – Requiem (1998)

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Description: Paul, the narrator, has a rendezvous at noon on a sweltering Sunday. The person he has invited is none other than the great Portuguese poet Fernando Pessoa… who is no longer among the living. It leads to a whole series of encounters between living Lisboans… and phantoms of the past, as the barriers of conventional time fall away to allow the people of today and yesterday to meet and communicate. Read More »

Alain Tanner – Les Années lumière AKA Light Years Away (1981)

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In the year 2000, Jonas is 25 years old and lives in Ireland. Disillusioned with his life as a pub barman, he decides to give up everything and live with a mysterious old man, Yoshka, at a run down garage in the middle of no-where. At first, the old man taunts Jonas, giving him useless tasks to do, such as attending a derelict petrol pump. This drives the young man to distraction and he tries to kill himself. Impressed by his young disciple, Yoshka finally decides to share with him his fantastic secret… Read More »

Alain Tanner – La vallée fantôme (1987)

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An ageing writer Paul is determined to make a film but he cannot decide on the subject or location. Instead, he chooses to concentrate his efforts on finding the actress who will star in the film, believing that she will define the lead character and content of the film. He recruits a young man, Jean, to try to find an Italian actress, Dara, whom he has lost sight of. Jean finds Dara in a small Italian town, serving in a modest restaurant, but she refuses to return to acting… Read More »

Alain Tanner – Une flamme dans mon coeur AKA A Flame in My Heart (1987)

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The terrifyingly destructive power of a woman’s sexual obsession provides the compelling subject for this psychological study of a woman’s descent into madness from French filmmaker Alain Tanner. It is the tale of Parisian actress Mercedes who is first seen attempting to break up with the obsessive Arab Johnny, who stalks her until she meets handsome newspaper writer Pierre on the subway and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. Pierre is flattered and encourages her desperate devotion, but soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mercedes alone with her demons. Though preparing for a new play, she is unable to concentrate and barely able to function without Pierre. She quits the production, locks herself in Pierre’s apartment and quietly begins falling apart until he returns. Read More »